 {"id":1022,"date":"2021-12-29T16:48:21","date_gmt":"2021-12-29T15:48:21","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/?page_id=1022"},"modified":"2022-03-14T11:28:12","modified_gmt":"2022-03-14T10:28:12","slug":"enregistrements-des-sessions-journee-2-mardi-16-nov-2021","status":"publish","type":"page","link":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/enregistrements-des-sessions-journee-2-mardi-16-nov-2021\/","title":{"rendered":"&#8211; ENREGISTREMENTS DES SESSIONS &#8211; Journ\u00e9e #2. Mardi 16 Nov. 2021"},"content":{"rendered":"\n<p><strong><mark style=\"background-color:#000000\" class=\"has-inline-color has-vivid-green-cyan-color\">SESSION 3 &#8211; REPR\u00c9SENTER L&rsquo;ESPACE : INTERACTIONS DI\u00c9G\u00c9TIQUES ET PRATIQUES NARRATIVES<\/mark><\/strong><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-black-color\">&#8230;..<\/mark><mark style=\"background-color:#000000\" class=\"has-inline-color has-white-color\"><strong>Gw\u00e9na\u00eble ROT<\/strong> : <\/mark><a rel=\"noreferrer noopener\" href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=I76gL1Oj&amp;width=100%&amp;height=100%\" target=\"_blank\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-cyan-bluish-gray-color\">Avant-propos<\/mark><\/a><\/p>\n\n\n\n<p><mark style=\"background-color:#000000;color:#fdf7d9\" class=\"has-inline-color\">REPRESENTATIONS CIN\u00c9MATOGRAPHIQUES &amp; CINEPRATIQUES<\/mark><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-black-color\">&#8230;..<\/mark><mark style=\"background-color:#000000\" class=\"has-inline-color has-white-color\"><strong>L\u00e9a CHEVALIER <\/strong>: <\/mark><a rel=\"noreferrer noopener\" href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=1n746rI4&amp;width=100%&amp;height=100%\" target=\"_blank\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-cyan-bluish-gray-color\">\u00ab\u00a0Les d\u00e9cors dits naturels de Bernard Evein &#8211; \u00c9tude du processus technique et cr\u00e9atif d\u2019un d\u00e9corateur de cin\u00e9ma (1950-1960).\u00a0\u00bb<\/mark><\/a><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-black-color\">&#8230;..<\/mark><mark style=\"background-color:#000000\" class=\"has-inline-color has-white-color\"><strong>Claire ALLOUCHE<\/strong> : <\/mark><a rel=\"noreferrer noopener\" href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=NbFy2ptb&amp;width=100%&amp;height=100%\" target=\"_blank\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-cyan-bluish-gray-color\">\u00ab\u00a0De l\u2019espace v\u00e9cu au lieu de tournage : le cin\u00e9ma d\u2019Affonso Uch\u00f4a et Ezequiel Yanco comme \u00ab partage du sensible \u00bb.\u00a0\u00bb<\/mark><\/a><\/p>\n\n\n\n<p><mark style=\"background-color:#000000;color:#fdf7d9\" class=\"has-inline-color\">IMAGINAIRES GEOGRAPHIQUES &amp; ESPACES LIMITES<\/mark><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-black-color\">&#8230;..<\/mark><mark style=\"background-color:#000000\" class=\"has-inline-color has-white-color\"><strong>Clovis BEZIES-GROS<\/strong> : <\/mark><a rel=\"noreferrer noopener\" href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=1Z6b58Tp&amp;width=100%&amp;height=100%\" target=\"_blank\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-cyan-bluish-gray-color\">\u00ab\u00a0<em>High Life<\/em> de Claire Denis &#8211; Espace filmique et photog\u00e9nie aux fronti\u00e8res de l&rsquo;humanite.\u00a0\u00bb<\/mark><\/a><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-black-color\">&#8230;..<\/mark><mark style=\"background-color:#000000\" class=\"has-inline-color has-white-color\"><strong>Anastasia ROSTAN<\/strong> : <a rel=\"noreferrer noopener\" href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=ruUf9XM1&amp;width=100%&amp;height=100%\" target=\"_blank\">\u00ab\u00a0<\/a><\/mark><a rel=\"noreferrer noopener\" href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=ruUf9XM1&amp;width=100%&amp;height=100%\" target=\"_blank\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-cyan-bluish-gray-color\">Google Earth, \u00ab from space to cyberspace \u00bb : de nouveaux imaginaires g\u00e9ographiques du cyberespace et de la m\u00e9moire chez Mar\u00eda Molina Peir\u00f3 et Jon Rafman.\u00a0\u00bb<\/mark><\/a><\/p>\n\n\n\n<p><mark style=\"background-color:#000000\" class=\"has-inline-color\">.<\/mark><\/p>\n\n\n\n<p><strong><mark style=\"background-color:#000000\" class=\"has-inline-color has-vivid-green-cyan-color\">SESSION 4 &#8211; PERCEVOIR UN ESPACE FILMIQUE : <em>dans<\/em> ET<em> hors<\/em> LE FILM<\/mark><\/strong><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-black-color\">&#8230;..<\/mark><mark style=\"background-color:#000000\" class=\"has-inline-color has-white-color\"><strong>Laurent LESCOP<\/strong> : <\/mark><a rel=\"noreferrer noopener\" href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=8q8x708I&amp;width=100%&amp;height=100%\" target=\"_blank\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-cyan-bluish-gray-color\">Avant-propos<\/mark><\/a><\/p>\n\n\n\n<p><mark style=\"background-color:#000000;color:#fdf7d9\" class=\"has-inline-color\">INTERACTION DES ESPACES &amp; DES CORPS<\/mark><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-black-color\">&#8230;..<\/mark><mark style=\"background-color:#000000\" class=\"has-inline-color has-white-color\"><strong>Charlotte VAN DER ELST<\/strong> : <\/mark><a rel=\"noreferrer noopener\" href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=5J701TLp&amp;width=100%&amp;height=100%\" target=\"_blank\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-cyan-bluish-gray-color\">\u00ab\u00a0Perception de la sym\u00e9trie\/dissym\u00e9trie dans l\u2019espace : entre malaise et satisfaction.\u00a0\u00bb<\/mark><\/a><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-black-color\">&#8230;..<\/mark><mark style=\"background-color:#000000\" class=\"has-inline-color has-white-color\"><strong>Germain SCLAFER<\/strong> : <\/mark><a href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=653j5B60&amp;width=100%&amp;height=100%\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-cyan-bluish-gray-color\">\u00ab\u00a0Quels espaces chor\u00e9graphiques lors du Nouvel Hollywood ? Caract\u00e9risation des rapports entre corps dansant et d\u00e9cor dans le cin\u00e9ma am\u00e9ricain non musical des ann\u00e9es 1960-1970.\u00a0\u00bb<\/mark><\/a><\/p>\n\n\n\n<p><mark style=\"background-color:#000000;color:#fdf7d9\" class=\"has-inline-color\">REPRESENTATIONS &amp; PERCEPTIONS PAR LA DIFFUSION<\/mark><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-black-color\">&#8230;..<\/mark><mark style=\"background-color:#000000\" class=\"has-inline-color has-white-color\"><strong>Jean CHATEAUVERT <\/strong>: <\/mark><a rel=\"noreferrer noopener\" href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=0845JaKJ&amp;width=100%&amp;height=100%\" target=\"_blank\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-cyan-bluish-gray-color\">\u00ab\u00a0Quand les m\u00e9dias s\u2019invitent (un peu plus) dans le quotidien.\u00a0\u00bb<\/mark><\/a><\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-black-color\">&#8230;..<\/mark><mark style=\"background-color:#000000\" class=\"has-inline-color has-white-color\"><strong>Tristan DOMINGUEZ <\/strong>: <\/mark><mark style=\"background-color:#000000\" class=\"has-inline-color has-cyan-bluish-gray-color\"><a href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=1917sW68&amp;width=100%&amp;height=100%\" target=\"_blank\" rel=\"noreferrer noopener\">\u00ab\u00a0<\/a><\/mark><a href=\"https:\/\/prismes.univ-toulouse.fr\/video.php?code=1917sW68&amp;width=100%&amp;height=100%\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:#000000\" class=\"has-inline-color has-cyan-bluish-gray-color\">La capitale du cin\u00e9ma ou le cin\u00e9ma de la capitale ? La dichotomie Paris\/province questionn\u00e9e au prisme des liens entre espaces de r\u00e9ception et espace repr\u00e9sent\u00e9.\u00a0\u00bb<\/mark><\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SESSION 3 &#8211; REPR\u00c9SENTER L&rsquo;ESPACE : INTERACTIONS DI\u00c9G\u00c9TIQUES ET PRATIQUES NARRATIVES &#8230;..Gw\u00e9na\u00eble ROT : Avant-propos REPRESENTATIONS CIN\u00c9MATOGRAPHIQUES &amp; CINEPRATIQUES &#8230;..L\u00e9a CHEVALIER : \u00ab\u00a0Les d\u00e9cors dits naturels de Bernard Evein &#8211; \u00c9tude du processus technique et cr\u00e9atif d\u2019un d\u00e9corateur de cin\u00e9ma (1950-1960).\u00a0\u00bb &#8230;..Claire ALLOUCHE : \u00ab\u00a0De l\u2019espace v\u00e9cu au lieu de tournage : le cin\u00e9ma d\u2019Affonso Uch\u00f4a et Ezequiel Yanco comme \u00ab partage du sensible \u00bb.\u00a0\u00bb IMAGINAIRES GEOGRAPHIQUES &amp; ESPACES LIMITES &#8230;..Clovis BEZIES-GROS : \u00ab\u00a0High Life de Claire Denis &#8211; Espace filmique et photog\u00e9nie aux fronti\u00e8res de l&rsquo;humanite.\u00a0\u00bb &#8230;..Anastasia ROSTAN : \u00ab\u00a0Google Earth, \u00ab from space to cyberspace \u00bb : de nouveaux imaginaires g\u00e9ographiques du cyberespace et de la m\u00e9moire chez Mar\u00eda Molina Peir\u00f3 et Jon Rafman.\u00a0\u00bb . SESSION 4 &#8211; PERCEVOIR UN ESPACE FILMIQUE : dans ET hors LE FILM &#8230;..Laurent LESCOP : Avant-propos INTERACTION DES ESPACES &amp; DES CORPS &#8230;..Charlotte VAN DER ELST : \u00ab\u00a0Perception de la sym\u00e9trie\/dissym\u00e9trie dans&hellip;<\/p>\n<p> <a class=\"more-link\" href=\"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/enregistrements-des-sessions-journee-2-mardi-16-nov-2021\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":963,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1022","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/1022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/users\/963"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/comments?post=1022"}],"version-history":[{"count":8,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/1022\/revisions"}],"predecessor-version":[{"id":1055,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/1022\/revisions\/1055"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/media?parent=1022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}