{"id":677,"date":"2021-10-28T19:20:51","date_gmt":"2021-10-28T17:20:51","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/?page_id=677"},"modified":"2021-10-29T09:44:23","modified_gmt":"2021-10-29T07:44:23","slug":"c-e-harris","status":"publish","type":"page","link":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/c-e-harris\/","title":{"rendered":"C.E. HARRIS"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><span style=\"color:#3ace6b\" class=\"has-inline-color\"><em>Intervention lundi 15 nov. 2021 \u00e0 12h00 <\/em><\/span><br><strong><span style=\"color:#3ace6b\" class=\"has-inline-color\">\u00ab\u00a0Le plan pictural, arbitre de l&rsquo;espace au cin\u00e9ma num\u00e9rique.\u00a0\u00bb<\/span><\/strong><\/p>\n\n\n\n<p><span class=\"has-inline-color has-black-color\">.<\/span><\/p>\n\n\n\n<p><strong><span style=\"color:#7891e2\" class=\"has-inline-color\">C.E. Harris <\/span><\/strong><span class=\"has-inline-color has-white-color\">is a Ph.D. candidate in Cinema &amp; Visual Studies at Universit\u00e9 de Paris, affiliated with the CERILAC and LARCA research laboratories and laureate of the Initiatives d\u2019excellence doctoral fellowship. Currently working on a thesis entitled \u201cSpatiality and Mise-en-sc\u00e8ne in Dematerialized Digital Cinema,\u201d Harris is interested in film philosophy, aesthetics, intermediality, digital materiality, and the relationship between science and the arts in the digital age.<\/span><\/p>\n\n\n\n<p><span class=\"has-inline-color has-black-color\">.<\/span><\/p>\n\n\n\n<p><span style=\"color:#7891e2\" class=\"has-inline-color\"><strong>Recent publications<\/strong><\/span><br><span style=\"color:#b8baba\" class=\"has-inline-color\">\u201cPhantom Perceptions: Seeing What Isn\u2019t There in Digital Cinema\u201d (Glimpse Phenomenology &amp; Media Journal)<\/span><\/p>\n\n\n\n<p><span style=\"color:#b8baba\" class=\"has-inline-color\">\u201cThe Cinematic-Televisual : Rethinking Medium Specificity in Television&rsquo;s New Golden Age\u201d (Exploring Seriality on Screen, Routledge).<\/span><\/p>\n\n\n\n<p><span class=\"has-inline-color has-black-color\">.<\/span><\/p>\n\n\n\n<p><span class=\"has-inline-color has-black-color\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Intervention lundi 15 nov. 2021 \u00e0 12h00 \u00ab\u00a0Le plan pictural, arbitre de l&rsquo;espace au cin\u00e9ma num\u00e9rique.\u00a0\u00bb . C.E. Harris is a Ph.D. candidate in Cinema &amp; Visual Studies at Universit\u00e9 de Paris, affiliated with the CERILAC and LARCA research laboratories and laureate of the Initiatives d\u2019excellence doctoral fellowship. Currently working on a thesis entitled \u201cSpatiality and Mise-en-sc\u00e8ne in Dematerialized Digital Cinema,\u201d Harris is interested in film philosophy, aesthetics, intermediality, digital materiality, and the relationship between science and the arts in the digital age. . Recent publications\u201cPhantom Perceptions: Seeing What Isn\u2019t There in Digital Cinema\u201d (Glimpse Phenomenology &amp; Media Journal) \u201cThe Cinematic-Televisual : Rethinking Medium Specificity in Television&rsquo;s New Golden Age\u201d (Exploring Seriality on Screen, Routledge). . .<\/p>\n","protected":false},"author":963,"featured_media":303,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-677","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/users\/963"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/comments?post=677"}],"version-history":[{"count":4,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/677\/revisions"}],"predecessor-version":[{"id":733,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/677\/revisions\/733"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/media\/303"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/media?parent=677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}