 {"id":753,"date":"2021-10-29T10:42:08","date_gmt":"2021-10-29T08:42:08","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/?page_id=753"},"modified":"2021-11-02T17:18:31","modified_gmt":"2021-11-02T16:18:31","slug":"antoine-gaudin","status":"publish","type":"page","link":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/antoine-gaudin\/","title":{"rendered":"Antoine GAUDIN"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><span style=\"color:#3ace6b\" class=\"has-inline-color\">Intervention lundi 15 nov. \u00e0 14h30<\/span><br><span style=\"color:#3ace6b\" class=\"has-inline-color\"><strong>Avant-propos session 2 &#8211; Penser l&rsquo;espace filmique comme oeuvre du sensible<\/strong><\/span><\/p>\n\n\n\n<p><span class=\"has-inline-color has-black-color\">.<\/span><\/p>\n\n\n\n<p><span style=\"color:#7891e2\" class=\"has-inline-color\">Antoine Gaudin<\/span> <span class=\"has-inline-color has-white-color\">est Ma\u00eetre de conf\u00e9rences en Etudes cin\u00e9matographiques et audiovisuelles \u00e0 l&rsquo;Universit\u00e9 Sorbonne nouvelle &#8211; Paris 3 et chercheur \u00e0 l&rsquo;IRCAV (Institut de Recherche sur le Cin\u00e9ma et l&rsquo;Audiovisuel). Il est l&rsquo;auteur de\u00a0<em>L&rsquo;espace cin\u00e9matographique : esth\u00e9tique et dramaturgie<\/em>\u00a0(Armand Colin, 2015) et le co-directeur de l&rsquo;ouvrage collectif\u00a0<em>Repr\u00e9sentations-limites des corps sexuels dans le cin\u00e9ma et l&rsquo;audiovisuel contemporains<\/em>\u00a0(Presses de la Sorbonne nouvelle, 2018). Il pr\u00e9pare actuellement un second ouvrage personnel intitul\u00e9\u00a0<em>Le vid\u00e9oclip musical : approches th\u00e9oriques et critiques d&rsquo;un art pop<\/em>\u00a0(\u00e0 para\u00eetre, 2022).<\/span><\/p>\n\n\n\n<p><span class=\"has-inline-color has-black-color\">.<\/span><\/p>\n\n\n\n<p><span style=\"color:#b8baba\" class=\"has-inline-color\">profil Academia :<\/span> <a rel=\"noreferrer noopener\" href=\"https:\/\/paris3.academia.edu\/AntoineGaudin\" target=\"_blank\"><span class=\"has-inline-color has-vivid-cyan-blue-color\">https:\/\/paris3.academia.edu\/AntoineGaudin<\/span><\/a><\/p>\n\n\n\n<p><span class=\"has-inline-color has-black-color\">.<\/span><\/p>\n\n\n\n<p><span class=\"has-inline-color has-black-color\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Intervention lundi 15 nov. \u00e0 14h30Avant-propos session 2 &#8211; Penser l&rsquo;espace filmique comme oeuvre du sensible . Antoine Gaudin est Ma\u00eetre de conf\u00e9rences en Etudes cin\u00e9matographiques et audiovisuelles \u00e0 l&rsquo;Universit\u00e9 Sorbonne nouvelle &#8211; Paris 3 et chercheur \u00e0 l&rsquo;IRCAV (Institut de Recherche sur le Cin\u00e9ma et l&rsquo;Audiovisuel). Il est l&rsquo;auteur de\u00a0L&rsquo;espace cin\u00e9matographique : esth\u00e9tique et dramaturgie\u00a0(Armand Colin, 2015) et le co-directeur de l&rsquo;ouvrage collectif\u00a0Repr\u00e9sentations-limites des corps sexuels dans le cin\u00e9ma et l&rsquo;audiovisuel contemporains\u00a0(Presses de la Sorbonne nouvelle, 2018). Il pr\u00e9pare actuellement un second ouvrage personnel intitul\u00e9\u00a0Le vid\u00e9oclip musical : approches th\u00e9oriques et critiques d&rsquo;un art pop\u00a0(\u00e0 para\u00eetre, 2022). . profil Academia : https:\/\/paris3.academia.edu\/AntoineGaudin . .<\/p>\n","protected":false},"author":963,"featured_media":303,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-753","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/users\/963"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/comments?post=753"}],"version-history":[{"count":5,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/753\/revisions"}],"predecessor-version":[{"id":848,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/753\/revisions\/848"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/media\/303"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/media?parent=753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}