{"id":923,"date":"2021-11-08T17:38:20","date_gmt":"2021-11-08T16:38:20","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/?page_id=923"},"modified":"2021-11-13T10:24:07","modified_gmt":"2021-11-13T09:24:07","slug":"mehdi-el-azzam","status":"publish","type":"page","link":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/mehdi-el-azzam\/","title":{"rendered":"El Mehdi AZZAM"},"content":{"rendered":"\n<p><span class=\"has-inline-color has-black-color\">.<\/span><\/p>\n\n\n\n<p><span class=\"has-inline-color has-white-color\">Apr\u00e8s des \u00e9tudes d\u2019ing\u00e9nierie et des sciences physiques,<\/span> <span style=\"color:#7891e2\" class=\"has-inline-color\">El Mehdi Azzam<\/span> <span class=\"has-inline-color has-white-color\">s\u2019int\u00e9resse au cin\u00e9ma qu\u2019il \u00e9tudie au Maroc puis en France. En tant que r\u00e9alisateur, ses films sont prim\u00e9s \u00e0 plusieurs festivals (Grand Prix \u00e0 San Sebastian, Prix jeune public \u00e0 Cin\u00e9med, Prix SACD, Prix Canal+\u2026).<br>En 2018 il s\u2019installe \u00e0 Toulouse o\u00f9 il pr\u00e9pare une th\u00e8se au sein de l\u2019universit\u00e9 Jean Jaur\u00e8s, autour des technologies d\u2019apprentissage artificiel d\u00e9ploy\u00e9es par Netflix et leur impact sur la diffusion et la production des contenus audiovisuels.<\/span><\/p>\n\n\n\n<p><span class=\"has-inline-color has-black-color\">.<\/span><br><span style=\"color:#7891e2\" class=\"has-inline-color\">FILMOGRAPHIE<\/span><br><span style=\"color:#b8baba\" class=\"has-inline-color\">2020 : Tentative d\u00e9sesp\u00e9r\u00e9e pour d\u00e9finir la patrie (Exp\u00e9rimental, 14min)<br>2019 : Bois de justice (Fiction, 15min)<br>2018 : Saudade (Fiction, 65min)<br>2017 : B\u00ealons (Fiction, 26min)<br>2015 : Amir (Exp\u00e9rimental, 5min, Mus\u00e9e YSL)<br>2014 : Almost KO (Exp\u00e9rimental, 6min)<br>2013 : Garden (Documentaire, 52min)<br>2011 : Linge sale (Fiction, 20min)<br>2009 : L\u2019\u00e9tang (Documentaire, 15min)<br>2008 : Le bal des suspendus (Fiction, 13min)<\/span><\/p>\n\n\n\n<p><span class=\"has-inline-color has-black-color\">.<\/span><\/p>\n\n\n\n<p><span class=\"has-inline-color has-black-color\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>. Apr\u00e8s des \u00e9tudes d\u2019ing\u00e9nierie et des sciences physiques, El Mehdi Azzam s\u2019int\u00e9resse au cin\u00e9ma qu\u2019il \u00e9tudie au Maroc puis en France. En tant que r\u00e9alisateur, ses films sont prim\u00e9s \u00e0 plusieurs festivals (Grand Prix \u00e0 San Sebastian, Prix jeune public \u00e0 Cin\u00e9med, Prix SACD, Prix Canal+\u2026).En 2018 il s\u2019installe \u00e0 Toulouse o\u00f9 il pr\u00e9pare une th\u00e8se au sein de l\u2019universit\u00e9 Jean Jaur\u00e8s, autour des technologies d\u2019apprentissage artificiel d\u00e9ploy\u00e9es par Netflix et leur impact sur la diffusion et la production des contenus audiovisuels. .FILMOGRAPHIE2020 : Tentative d\u00e9sesp\u00e9r\u00e9e pour d\u00e9finir la patrie (Exp\u00e9rimental, 14min)2019 : Bois de justice (Fiction, 15min)2018 : Saudade (Fiction, 65min)2017 : B\u00ealons (Fiction, 26min)2015 : Amir (Exp\u00e9rimental, 5min, Mus\u00e9e YSL)2014 : Almost KO (Exp\u00e9rimental, 6min)2013 : Garden (Documentaire, 52min)2011 : Linge sale (Fiction, 20min)2009 : L\u2019\u00e9tang (Documentaire, 15min)2008 : Le bal des suspendus (Fiction, 13min) . .<\/p>\n","protected":false},"author":963,"featured_media":303,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-923","page","type-page","status-publish","has-post-thumbnail"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/users\/963"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/comments?post=923"}],"version-history":[{"count":4,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/923\/revisions"}],"predecessor-version":[{"id":961,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/pages\/923\/revisions\/961"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/media\/303"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/espaces-audiovisuels\/wp-json\/wp\/v2\/media?parent=923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}