{"id":776,"date":"2017-12-02T09:18:05","date_gmt":"2017-12-02T08:18:05","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/?page_id=776"},"modified":"2017-12-02T11:49:14","modified_gmt":"2017-12-02T10:49:14","slug":"jean-deilhes","status":"publish","type":"page","link":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/presentation\/jean-deilhes\/","title":{"rendered":"Jean Deilhes"},"content":{"rendered":"<h2>domaines de recherche<\/h2>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Recherches doctorales : La photographie cr\u00e9ative en France durant les ann\u00e9es 1950-1960 ; un cas de dynamisme m\u00e9ridional, entre Arles et Toulouse. Doctorat d&rsquo;<span style=\"letter-spacing: 0.05em\">Histoire de l\u2019art en cours \u00a0sous la direction de Jean Nayrolles (UT2JJ) et Michel Poivert (Paris 1).\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-788\" src=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/12\/images-doctorat-Sudre-300x181.jpg\" alt=\"\" width=\"300\" height=\"181\" srcset=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/12\/images-doctorat-Sudre-300x181.jpg 300w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/12\/images-doctorat-Sudre-768x463.jpg 768w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/12\/images-doctorat-Sudre-1024x617.jpg 1024w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/12\/images-doctorat-Sudre-560x337.jpg 560w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/12\/images-doctorat-Sudre-260x157.jpg 260w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/12\/images-doctorat-Sudre-160x96.jpg 160w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/12\/images-doctorat-Sudre.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<h2>enseignements :<\/h2>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Enseignant PRCE \u00e0 l\u2019Universit\u00e9 de Toulouse 2 Jean Jaur\u00e8s (D\u00e9partement d\u2019Histoire de l\u2019art et ESPE Toulouse). Co-responsable du Master Education aux M\u00e9dias et \u00e0 l\u2019Information (ESPE).<\/p>\n<h3>histoire de la photographie :<\/h3>\n<ul>\n<li>Histoire de la photographie, Licence 3, histoire de l&rsquo;art<\/li>\n<li>Histoire de la photographie, Master 1 Education aux m\u00e9dias et \u00e0 l&rsquo;information (ESPE)<\/li>\n<\/ul>\n<h3>cin\u00e9ma :<\/h3>\n<ul>\n<li>Approches du cin\u00e9ma dans le champ de l&rsquo;histoire de l&rsquo;art<\/li>\n<li>Pr\u00e9paration aux \u00e9preuves de cin\u00e9ma du CAPES externe de Lettres modernes et de l&rsquo;AGREGATION interne de Lettres modernes et classiques.<\/li>\n<\/ul>\n<h3>num\u00e9rique :<\/h3>\n<ul>\n<li>Les outils num\u00e9riques appliqu\u00e9s \u00e0 la recherche en histoire de l&rsquo;art, Master d&rsquo;Histoire de l&rsquo;art<\/li>\n<li>Le num\u00e9rique appliqu\u00e9 \u00e0 la didactique en Lettres, Arts appliqu\u00e9s, Arts plastiques (ESPE)<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<h2>publications<\/h2>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li>Jean Deilhes, <em>Katrien de Blauwer<\/em><em>\u202f<\/em><em>: Scenes [exposition, Toulouse, le Ch\u00e2teau d\u2019Eau, du 5 novembre 2017 au 3 janvier 2018]<\/em>, Toulouse, le Ch\u00e2teau d\u2019eau, 2017.<\/li>\n<li>Jean Deilhes, <em>Ilias Georgiadis, Over-state<\/em><em>\u202f<\/em><em>:\u00a0 [exposition, Toulouse, le Ch\u00e2teau d\u2019eau, 27 octobre-31 d\u00e9cembre 2016<\/em>, Galerie municipale du Ch\u00e2teau d\u2019eau., Toulouse, le Ch\u00e2teau d\u2019eau, 2017, vol.1\/.<\/li>\n<\/ul>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<ul>\n<li class=\"column\">\u00a0<span style=\"letter-spacing: 0.05em\">\u00ab Dominique Delpoux ou les visages du travail \u00bb, dans, <\/span><em style=\"letter-spacing: 0.05em\"><strong>Images du travail Travail des images<\/strong><\/em><span style=\"letter-spacing: 0.05em\"> &#8211; Dossier | n\u00b02. Les ouvriers et la photographie : de 1945 \u00e0 nos jours | Images du travail, Travail des images. [En ligne] Publi\u00e9 en ligne le 21 juin 2016.<\/span><\/li>\n<li class=\"column\"><span style=\"letter-spacing: 0.05em\">L\u00e9a Bismuth, Jean Deilhes, Etienne Hatt et Yannick Haenel, <\/span><em style=\"letter-spacing: 0.05em\">Being beauteous<\/em><em style=\"letter-spacing: 0.05em\">\u202f<\/em><em style=\"letter-spacing: 0.05em\">:\u00a0 Anne-Lise Broyer, Nicolas Comment, Amaury da Cunha, Marie Maurel de Maill\u00e9\u00a0 [exposition, Toulouse, Galerie du Ch\u00e2teau d\u2019eau, 5 novembre 2014-5 janvier 2015, La Roche-sur-Yon, Mus\u00e9e municipal, 14 novembre 2015-20 f\u00e9vrier 2016, Gu\u00e9ret, Mus\u00e9e d\u2019art et d\u2019arch\u00e9ologie, 10 mars-22 mai 2016&#8230;]<\/em><span style=\"letter-spacing: 0.05em\">, Tr\u00e9z\u00e9lan, Filigranes \u00e9ditions, 2015, vol.1\/, 119\u00a0p.<\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li>Jean Deilhes, <em>Manuela Marques<\/em><em>\u202f<\/em><em>: Isotopies [exposition, Toulouse, le Ch\u00e2teau d\u2019Eau, du 5 novembre 2015 au 3 janvier 2016]<\/em>, Toulouse, le Ch\u00e2teau d\u2019eau, 2015.<\/li>\n<li>Jean Deilhes, <em>Being beauteous<\/em><em>\u202f<\/em><em>:\u00a0 Anne-Lise Broyer, Nicolas Comment, Amaury da Cunha, Marie Maurel de Maill\u00e9\u00a0 [exposition, Toulouse, le Ch\u00e2teau d\u2019Eau, 5 novembre 2014-4 janvier 2015]<\/em>, Toulouse, le Ch\u00e2teau d\u2019eau, 2015.<\/li>\n<li>L\u00e9a Bismuth, Jean Deilhes et Etienne Hatt, <em>Being beauteous<\/em><em>\u202f<\/em><em>:\u00a0 Anne-Lise Broyer, Nicolas Comment, Amaury da Cunha, Marie Maurel de Maill\u00e9\u00a0 [exposition, Toulouse, Galerie du Ch\u00e2teau d\u2019eau, 5 novembre 2014-5 janvier 2015, La Roche-sur-Yon, Mus\u00e9e municipal, 14 novembre 2015-20 f\u00e9vrier 2016, Gu\u00e9ret, Mus\u00e9e d\u2019art et d\u2019arch\u00e9ologie, 10 mars-22 mai 2016&#8230;]<\/em>, Tr\u00e9z\u00e9lan, Filigranes \u00e9ditions, 2015, vol.1\/, 119\u00a0p.<\/li>\n<li>Jean Deilhes, <em>Les troubles du cadre<\/em><em>\u202f<\/em><em>:\u00a0 [exposition, Toulouse, le Ch\u00e2teau d\u2019eau, 17 mai-25 juin 2006]<\/em>, Toulouse, le Ch\u00e2teau d\u2019eau, 2006.<\/li>\n<li>\u00ab L\u2019autoportrait et les liens photographie-cin\u00e9ma \u00bb, dans B. Duvin Parmentier (Dir.) , \u00c9d., <em><strong>Pour enseigner l\u2019histoire des arts: regards interdisciplinaires<\/strong><\/em>, 1 vol. Amiens [Paris]: SCEREN-CRDP Acad\u00e9mie d\u2019Amiens CRAP-\u00ab Cahiers p\u00e9dagogiques \u00bb, 2010<\/li>\n<li><span style=\"letter-spacing: 0.05em\">\u00ab A l\u2019\u00e9cole de l\u2019\u0153il : p\u00e9dagogie de l\u2019image \u00e0 l\u2019usage des p\u00e9dagogues \u00bb, dans \u00ab Photographie \u00bb, <em><strong>Revue\u00a0<\/strong><\/em><\/span><span style=\"letter-spacing: 0.05em\"><em><strong>Biblioth\u00e8que(s), n\u00b0 33<\/strong><\/em>, juillet 2007.<\/span><\/li>\n<li><em><strong>Les troubles du cadre<\/strong><\/em>, Catalogue d\u2019exposition, Galerie du Ch\u00e2teau d\u2019Eau, 2006.<\/li>\n<li>\u00ab Le traitement du massif occidental \u00bb dans, <em><strong>Saint-Sernin de Toulouse : tr\u00e9sors et m\u00e9tamorphoses ; deux si\u00e8cles de restaurations 1802-1989<\/strong><\/em>, Catalogue d\u2019exposition, Toulouse ; Mus\u00e9e Saint-Raymond, 1990.<!--more--><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>domaines de recherche Recherches doctorales : La photographie cr\u00e9ative en France durant les ann\u00e9es 1950-1960 ; un cas de dynamisme m\u00e9ridional, entre Arles et Toulouse. Doctorat d&rsquo;Histoire de l\u2019art en cours \u00a0sous la direction de Jean Nayrolles (UT2JJ) et Michel&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/presentation\/jean-deilhes\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":308,"featured_media":0,"parent":310,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-776","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/pages\/776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/users\/308"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/comments?post=776"}],"version-history":[{"count":7,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/pages\/776\/revisions"}],"predecessor-version":[{"id":794,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/pages\/776\/revisions\/794"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/pages\/310"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/media?parent=776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}