 {"id":115,"date":"2016-11-16T14:44:37","date_gmt":"2016-11-16T13:44:37","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/?p=115"},"modified":"2016-11-18T21:38:19","modified_gmt":"2016-11-18T20:38:19","slug":"la-fonction-critique-de-la-peinture-durant-la-seconde-guerre-mondiale-en-france","status":"publish","type":"post","link":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/2016\/11\/16\/la-fonction-critique-de-la-peinture-durant-la-seconde-guerre-mondiale-en-france\/","title":{"rendered":"La fonction critique de la peinture durant la Seconde Guerre mondiale en France."},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-134\" src=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/Steib_La-derni\u00e8re-sc\u00e8ne_coll-part_mb-670x390-300x175.jpg\" alt=\"steib_la-derniere-scene_coll-part_mb-670x390\" width=\"300\" height=\"175\" srcset=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/Steib_La-derni\u00e8re-sc\u00e8ne_coll-part_mb-670x390-300x175.jpg 300w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/Steib_La-derni\u00e8re-sc\u00e8ne_coll-part_mb-670x390-560x326.jpg 560w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/Steib_La-derni\u00e8re-sc\u00e8ne_coll-part_mb-670x390-260x151.jpg 260w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/Steib_La-derni\u00e8re-sc\u00e8ne_coll-part_mb-670x390-160x93.jpg 160w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/Steib_La-derni\u00e8re-sc\u00e8ne_coll-part_mb-670x390.jpg 670w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Sujet traitant de la fonction politique de la peinture en France durant la Seconde Guerre mondiale. Ce sujet a pour but de dresser un glossaire\u00a0des engagements politiques d&rsquo;artistes durant cette p\u00e9riode, aussi bien ceux consid\u00e9r\u00e9s comme contestataires que ceux consid\u00e9r\u00e9s comme conformistes. La place de ces artistes, parfois en retrait du monde de l&rsquo;art, est \u00e0 mettre en opposition avec ceux qui ont fait preuve de complaisance avec le r\u00e9gime \u00e9tabli, et nous renseigne ainsi sur la place et fonction de l&rsquo;art durant une p\u00e9riode d&rsquo;affrontements\u00a0et d&rsquo;oppositions.<\/p>\n<p>Sous la direction de Mme Evelyne TOUSSAINT, professeure d&rsquo;universit\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sujet traitant de la fonction politique de la peinture en France durant la Seconde Guerre mondiale. Ce sujet a pour but de dresser un glossaire\u00a0des engagements politiques d&rsquo;artistes durant cette p\u00e9riode, aussi bien ceux consid\u00e9r\u00e9s comme contestataires que ceux consid\u00e9r\u00e9s&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/2016\/11\/16\/la-fonction-critique-de-la-peinture-durant-la-seconde-guerre-mondiale-en-france\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":326,"featured_media":134,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59192,62283],"tags":[62912,37731],"class_list":["post-115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-periode-contemporaine","category-sujets-de-recherche","tag-contemporain","tag-peinture"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/users\/326"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/comments?post=115"}],"version-history":[{"count":7,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/115\/revisions"}],"predecessor-version":[{"id":343,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/115\/revisions\/343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/media\/134"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/media?parent=115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/categories?post=115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/tags?post=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}