 {"id":124,"date":"2016-11-16T14:56:58","date_gmt":"2016-11-16T13:56:58","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/?p=124"},"modified":"2016-11-30T17:25:42","modified_gmt":"2016-11-30T16:25:42","slug":"risques-naturels-et-patrimoine-etat-de-la-question","status":"publish","type":"post","link":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/2016\/11\/16\/risques-naturels-et-patrimoine-etat-de-la-question\/","title":{"rendered":"Risques naturels et patrimoine : Etat de la question."},"content":{"rendered":"<div id=\"attachment_125\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-125\" class=\"size-medium wp-image-125\" src=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/14729193_1071676899552705_6160907522662919250_n-300x300.jpg\" alt=\"Interior view of the Holland House in Kensington, London after bombing (1940) \" width=\"300\" height=\"300\" srcset=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/14729193_1071676899552705_6160907522662919250_n-300x300.jpg 300w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/14729193_1071676899552705_6160907522662919250_n-150x150.jpg 150w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/14729193_1071676899552705_6160907522662919250_n-260x260.jpg 260w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/14729193_1071676899552705_6160907522662919250_n-160x160.jpg 160w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2016\/11\/14729193_1071676899552705_6160907522662919250_n.jpg 469w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-125\" class=\"wp-caption-text\">Interior view of the Holland House in Kensington, London after bombing (1940)<\/p><\/div>\n<p>A ce jour, la pr\u00e9servation du patrimoine face aux sinistres naturels reste tr\u00e8s lacunaire. En effet, \u00e0 l&rsquo;oppos\u00e9 des plans de sauvegarde en temps de guerre ou conflits arm\u00e9s, la politique de pr\u00e9servation\u00a0des biens culturels en temps de catastrophe naturelle\u00a0est incompl\u00e8te.<\/p>\n<p>Pour le moment, mon sujet, trop large, est \u00e0 affiner.<\/p>\n<p>Dirig\u00e9 par S.Duhem, ce sujet s&rsquo;appuie sur des exemples concrets de patrimoine touch\u00e9 par des inondations, glissement de terrain, avalanches, s\u00e9ismes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A ce jour, la pr\u00e9servation du patrimoine face aux sinistres naturels reste tr\u00e8s lacunaire. En effet, \u00e0 l&rsquo;oppos\u00e9 des plans de sauvegarde en temps de guerre ou conflits arm\u00e9s, la politique de pr\u00e9servation\u00a0des biens culturels en temps de catastrophe naturelle\u00a0est&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/2016\/11\/16\/risques-naturels-et-patrimoine-etat-de-la-question\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":329,"featured_media":125,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59192,58914,62283],"tags":[406,63028],"class_list":["post-124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-periode-contemporaine","category-periode-moderne","category-sujets-de-recherche","tag-patrimoine","tag-risques-naturels"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/users\/329"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/comments?post=124"}],"version-history":[{"count":4,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/124\/revisions"}],"predecessor-version":[{"id":387,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/124\/revisions\/387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/media\/125"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/media?parent=124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/categories?post=124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/tags?post=124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}