{"id":216,"date":"2016-11-16T17:12:11","date_gmt":"2016-11-16T16:12:11","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/?p=216"},"modified":"2017-04-10T01:07:28","modified_gmt":"2017-04-09T23:07:28","slug":"la-critique-de-lart-feministe","status":"publish","type":"post","link":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/2016\/11\/16\/la-critique-de-lart-feministe\/","title":{"rendered":"Critique d&rsquo;art et f\u00e9minisme."},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><div style=\"width: 560px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-216-1\" width=\"560\" height=\"315\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/ubuvideo.memoryoftheworld.org\/Pindell-Howardena_Free-White-21_1980.iphone.m4v?_=1\" \/><a href=\"https:\/\/ubuvideo.memoryoftheworld.org\/Pindell-Howardena_Free-White-21_1980.iphone.m4v\">https:\/\/ubuvideo.memoryoftheworld.org\/Pindell-Howardena_Free-White-21_1980.iphone.m4v<\/a><\/video><\/div><br \/>\nAu d\u00e9but des ann\u00e9es 1970, les revendications f\u00e9ministes questionnent et influences diverses disciplines. En histoire de l\u2019art des ouvrages pionniers comme <em>Why have there been no great women artists?<\/em> de Linda Nochlin posent les fondements d\u2019une r\u00e9flexion autour des artistes femmes et du f\u00e9minisme. En critiquant l\u2019h\u00e9g\u00e9monie masculine du discours esth\u00e9tique, les chercheuses proposent une histoire de l\u2019art plus \u00ab juste \u00bb, qui accorde une place \u00e9quitable aux artistes femmes, et explique les m\u00e9canismes de leur mise \u00e0 l\u2019\u00e9cart.<\/p>\n<p>&nbsp;<\/p>\n<p>Mais qu\u2019en est-il de la critique d\u2019art?\u00a0S\u2019interroge-t-elle aussi sur la place des femmes?\u00a0Peut-elle \u00eatre f\u00e9ministe?<\/p>\n<p>&nbsp;<\/p>\n<p>Il faut remonter \u00e0 la fin du 19eme si\u00e8cle pour d\u00e9couvrir les premi\u00e8res critiques d\u2019art f\u00e9ministes. Elles publient dans des journaux engag\u00e9s comme <em>La Fronde<\/em> ou <em>La Citoyenne<\/em> et prennent le contre-pied d\u2019une critique d\u2019art dominante, \u00e9crite par des hommes, o\u00f9 la cr\u00e9ation f\u00e9minine est rel\u00e9gu\u00e9e \u00e0 de l\u2019amateurisme. Le discours contestataire se prolonge dans les ann\u00e9es 1970, avec des critiques d\u2019art comme Aline Dallier en France, ou Lucy Lippard aux Etats-Unis. Bien que le statut de la femme artiste ait \u00e9volu\u00e9, l\u2019art fait par des femmes reste toujours d\u00e9valu\u00e9 face \u00e0 leurs homologues masculins. Les critiques d\u2019art f\u00e9ministes r\u00e9habilitent alors la production f\u00e9minine \u2013 parfois f\u00e9ministe \u2013, soutiennent les artistes pour lutter contre les discriminations du march\u00e9 de l\u2019art et des institutions.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Au d\u00e9but des ann\u00e9es 1970, les revendications f\u00e9ministes questionnent et influences diverses disciplines. En histoire de l\u2019art des ouvrages pionniers comme Why have there been no great women artists? de Linda Nochlin posent les fondements d\u2019une r\u00e9flexion autour&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/2016\/11\/16\/la-critique-de-lart-feministe\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":324,"featured_media":522,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59192,62283],"tags":[60452,46732],"class_list":["post-216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-periode-contemporaine","category-sujets-de-recherche","tag-critique-dart","tag-feminisme"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/users\/324"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/comments?post=216"}],"version-history":[{"count":7,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/216\/revisions"}],"predecessor-version":[{"id":523,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/216\/revisions\/523"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/media\/522"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/media?parent=216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/categories?post=216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/tags?post=216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}