{"id":609,"date":"2017-11-08T17:35:21","date_gmt":"2017-11-08T16:35:21","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/?p=609"},"modified":"2017-12-06T17:53:12","modified_gmt":"2017-12-06T16:53:12","slug":"louis-viardot-un-historien-de-lart-a-lepoque-romantique","status":"publish","type":"post","link":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/2017\/11\/08\/louis-viardot-un-historien-de-lart-a-lepoque-romantique\/","title":{"rendered":"Louis Viardot, un historien de l&rsquo;art \u00e0 l&rsquo;\u00e9poque romantique"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-636\" src=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/11\/Alonso_Cano_-_Saint_John_the_Evangelists_Vision_of_Jerusalem_detail_-_WGA04004-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" srcset=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/11\/Alonso_Cano_-_Saint_John_the_Evangelists_Vision_of_Jerusalem_detail_-_WGA04004-224x300.jpg 224w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/11\/Alonso_Cano_-_Saint_John_the_Evangelists_Vision_of_Jerusalem_detail_-_WGA04004-768x1027.jpg 768w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/11\/Alonso_Cano_-_Saint_John_the_Evangelists_Vision_of_Jerusalem_detail_-_WGA04004-766x1024.jpg 766w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/11\/Alonso_Cano_-_Saint_John_the_Evangelists_Vision_of_Jerusalem_detail_-_WGA04004-560x749.jpg 560w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/11\/Alonso_Cano_-_Saint_John_the_Evangelists_Vision_of_Jerusalem_detail_-_WGA04004-260x348.jpg 260w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/11\/Alonso_Cano_-_Saint_John_the_Evangelists_Vision_of_Jerusalem_detail_-_WGA04004-160x214.jpg 160w, https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/files\/2017\/11\/Alonso_Cano_-_Saint_John_the_Evangelists_Vision_of_Jerusalem_detail_-_WGA04004.jpg 900w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/p>\n<p>Louis Viardot (1800-1883), critique, collectionneur et litt\u00e9rateur, collabore \u00e0 plusieurs journaux parisiens, sur des sujets divers\u00a0; peinture, musique, politique, questions sociales. Il fait figure d\u2019intellectuel, ancr\u00e9 dans une p\u00e9riode pr\u00e9cise &#8211; le romantisme fran\u00e7ais &#8211; et d\u00e9veloppe une vision internationale, en s\u2019int\u00e9ressant aux arts et \u00e0 la politique espagnole, en \u00e9crivant sur les mus\u00e9es d\u2019Europe et en se faisant traducteur et ami d\u2019Ivan Tourgueniev.<\/p>\n<p>Proche de Pierre Leroux et de la pens\u00e9e socialiste naissante, Viardot est un homme de son temps. Il s\u2019agit dans cette \u00e9tude de comprendre en quoi l\u2019inscription profonde de Viardot dans son si\u00e8cle \u2013 au travers de ses opinions intellectuelles, politiques, philosophiques, culturelles, artistiques, et son appartenance \u00e0 certaines doctrines sociales &#8211; influence son \u00e9criture de l\u2019Histoire de l\u2019art.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Louis Viardot (1800-1883), critique, collectionneur et litt\u00e9rateur, collabore \u00e0 plusieurs journaux parisiens, sur des sujets divers\u00a0; peinture, musique, politique, questions sociales. Il fait figure d\u2019intellectuel, ancr\u00e9 dans une p\u00e9riode pr\u00e9cise &#8211; le romantisme fran\u00e7ais &#8211; et d\u00e9veloppe une vision internationale,&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/2017\/11\/08\/louis-viardot-un-historien-de-lart-a-lepoque-romantique\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":479,"featured_media":636,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[59192,62283],"tags":[],"class_list":["post-609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-periode-contemporaine","category-sujets-de-recherche"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/users\/479"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/comments?post=609"}],"version-history":[{"count":4,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/609\/revisions"}],"predecessor-version":[{"id":698,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/609\/revisions\/698"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/media\/636"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/media?parent=609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/categories?post=609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/tags?post=609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}