{"id":830,"date":"2017-12-24T17:39:06","date_gmt":"2017-12-24T16:39:06","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/?p=830"},"modified":"2017-12-24T17:39:06","modified_gmt":"2017-12-24T16:39:06","slug":"les-rivalites-dans-lart-du-xviie-et-xviiie-siecles-en-france","status":"publish","type":"post","link":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/2017\/12\/24\/les-rivalites-dans-lart-du-xviie-et-xviiie-siecles-en-france\/","title":{"rendered":"Les rivalit\u00e9s dans l\u2019art du XVIIe\u00a0et XVIIIe\u00a0si\u00e8cles\u00a0en France\u00a0:"},"content":{"rendered":"<p align=\"justify\"><span style=\"color: #222222\"><span style=\"font-family: arial\"><span style=\"font-size: large\">Lo\u00efc Cabrita, sous la direction d\u2019Anne Perrin-Khelissa.<\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000\">\u00a0\u00a0 \u00a0<span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">Mon sujet porte sur la notion de rivalit\u00e9 dans l\u2019art en France durant l\u2019\u00e9poque moderne, un\u00a0aspect\u00a0important\u00a0qui permet d\u2019avoir une\u00a0vision\u00a0plus\u00a0r\u00e9v\u00e9latrice des difficult\u00e9s du\u00a0m\u00e9tier d\u2019artiste,\u00a0mais aussi\u00a0du r\u00f4le\u00a0des commanditaires ou des institutions.<\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000\">\u00a0\u00a0\u00a0\u00a0<span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">Mes recherches ont pour but d\u2019\u00e9tudier certains artistes fran\u00e7ais et de remettre en question la perception de gentilhomme h\u00e9rit\u00e9e de la Renaissance\u00a0que nous pouvons avoir. Ainsi j\u2019aimerais comprendre les conditions de la cr\u00e9ation d\u2019un chef-d\u2019\u0153uvre, voire valoriser un artiste d\u00e9laiss\u00e9 de l\u2019histoire\u00a0de l\u2019art \u00e0 cause d\u2019une r\u00e9putation houleuse.<\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000\">\u00a0\u00a0 \u00a0<span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">Pour se faire j\u2019effectue des recherches sur la p\u00e9riode en me concentrant sur les diverses acad\u00e9mies apparues durant ces si\u00e8cles, qui sont des espaces d\u2019\u00e9changes\u00a0o\u00f9 les artistes se forment, perfectionnent leur art, rencontrent leurs coll\u00e8gues, leur client\u00e8le, etc. Puis je souhaite me\u00a0concentrer sur des individus \u00e0 travers les rivalit\u00e9s entre Mignard et Le Brun, celle des sculpteurs Puget et\u00a0Veyrier,\u00a0et bien d\u2019autres.\u00a0<\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">Ainsi je voudrais interroger de nombreuses notions qui pour certaines naissent pendant cette \u00e9poque comme les expositions, la critique d\u2019art, les strat\u00e9gies d\u2019artiste, la\u00a0censure, la caricature,\u00a0la justice\u00a0ou l\u2019acad\u00e9misme.\u00a0Je compte aussi, une fois en archive, tenter de trouver des rivalit\u00e9s in\u00e9dites allant de la simple\u00a0querelle au crime dans les girons de l\u2019art\u00a0toulousain et\u00a0fran\u00e7ais\u00a0aux\u00a0XVII<sup>e\u00a0<\/sup>et XVIII<sup>e<\/sup>\u00a0si\u00e8cles.<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lo\u00efc Cabrita, sous la direction d\u2019Anne Perrin-Khelissa. \u00a0\u00a0 \u00a0Mon sujet porte sur la notion de rivalit\u00e9 dans l\u2019art en France durant l\u2019\u00e9poque moderne, un\u00a0aspect\u00a0important\u00a0qui permet d\u2019avoir une\u00a0vision\u00a0plus\u00a0r\u00e9v\u00e9latrice des difficult\u00e9s du\u00a0m\u00e9tier d\u2019artiste,\u00a0mais aussi\u00a0du r\u00f4le\u00a0des commanditaires ou des institutions. \u00a0\u00a0\u00a0\u00a0Mes recherches ont&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/2017\/12\/24\/les-rivalites-dans-lart-du-xviie-et-xviiie-siecles-en-france\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":465,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[58914,62283,1],"tags":[],"class_list":["post-830","post","type-post","status-publish","format-standard","hentry","category-periode-moderne","category-sujets-de-recherche","category-non-classe"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/users\/465"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/comments?post=830"}],"version-history":[{"count":1,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/830\/revisions"}],"predecessor-version":[{"id":832,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/posts\/830\/revisions\/832"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/media?parent=830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/categories?post=830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/histoire-arts\/wp-json\/wp\/v2\/tags?post=830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}