 {"id":321,"date":"2016-05-17T14:24:08","date_gmt":"2016-05-17T12:24:08","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/?page_id=321"},"modified":"2016-07-15T14:48:36","modified_gmt":"2016-07-15T12:48:36","slug":"mentions-legales","status":"publish","type":"page","link":"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/mentions-legales\/","title":{"rendered":"Qui sommes-nous ?"},"content":{"rendered":"<p style=\"text-align: left\"><em>Il Campiello<\/em>\u00a0\u2013 Revue \u00e9lectronique jeunes chercheurs d\u2019\u00e9tudes v\u00e9nitiennes<\/p>\n<p style=\"text-align: left\">ISSN 2495-215X<\/p>\n<p style=\"text-align: left\">Num\u00e9ro 1\u00a0\u2013\u00a02016<\/p>\n<p style=\"text-align: left\">Directeur de publication :\u00a0Fabien Coletti<\/p>\n<p style=\"text-align: left\">Comit\u00e9 de r\u00e9daction :\u00a0Fabien Coletti \u2013\u00a0Azzurra Mauro \u2013\u00a0S\u00e9bastien Mazou<\/p>\n<p style=\"text-align: left\">Avec la pr\u00e9cieuse collaboration d&rsquo;\u00c9ric Ferrante,\u00a0Ing\u00e9nieur de la technologie de la formation, Direction DTICE, D\u00e9veloppement internet et multim\u00e9dia.<\/p>\n<p style=\"text-align: left\"><a href=\"https:\/\/univ-tlse2.academia.edu\/FabienColetti\"><strong>Fabien Coletti<\/strong><\/a> est agr\u00e9g\u00e9 d\u2019Italien. Il termine actuellement une th\u00e8se de doctorat sur la figure de la femme adult\u00e8re et de la prostitu\u00e9e dans la litt\u00e9rature et la soci\u00e9t\u00e9 v\u00e9nitiennes de la Renaissance, en co-tutelle entre l\u2019universit\u00e9 Toulouse \u2013\u00a0Jean Jaur\u00e8s (sous la direction de Jean-Luc Nardone) et l\u2019Universit\u00e0 degli Studi di Padova (sous la direction d\u2019Ivano Paccagnella). Il est ATER aupr\u00e8s de l\u2019universit\u00e9 Toulouse \u2013\u00a0Jean Jaur\u00e8s. Ses int\u00e9r\u00eats scientifiques concernent l\u2019Histoire du genre et la po\u00e9sie antip\u00e9trarquiste du XVI<sup>e<\/sup> si\u00e8cle (\u00e9rotique, satirique, burlesque, <em>fidenziana<\/em>). Il a dirig\u00e9 avec C\u00e9cile Berger le volume d\u2019Actes des journ\u00e9es d\u2019\u00e9tude <a href=\"http:\/\/laboratorio.univ-tlse2.fr\/accueil-il-laboratorio\/publications\/publications-papier\/n-15-les-figures-du-feminin-en-rupture-a-venise-415270.kjsp?RH=PubPapie_Laboratorio\"><em>Les figures du f\u00e9minin \u00ab en rupture\u00a0\u00bb \u00e0 Venise, XVI<sup>e<\/sup>-XVIII<sup>e<\/sup> si\u00e8cle<\/em><\/a> (Toulouse, PUM, 2016). Parmi ses articles\u00a0: \u00ab\u00a0<a href=\"http:\/\/e-revues.pum.univ-tlse2.fr\/sdx2\/lineaeditoriale\/article.xsp?numero=6&amp;id_article=article_001-1360\">Dieci sonetti burleschi attribuiti \u00e0 Gabriele Salvago (1570): dall\u2019ambiguit\u00e0 fidenziana alla censura ottocentesca nel fondo Pinelli dell\u2019Ambrosiana<\/a>\u00a0\u00bb, in <em>Line@editoriale<\/em>, n\u00b0 5\u00a0; \u00ab\u00a0<a href=\"https:\/\/www.academia.edu\/9669083\/Aux_antipodes_de_la_litt\u00e9rature_antiputtanesca_v\u00e9nitienne_Les_Stanze_in_Lode_delle_Pi\u00f9_Famose_Cortigiane_di_Venegia_de_Marco_Bandarini\">Aux antipodes de la litt\u00e9rature <em>antiputtanesca<\/em> v\u00e9nitienne\u00a0: les <em>Stanze in lode delle pi\u00f9 famose cortigiane di Venegia <\/em>de Marco Bandarini<\/a>\u00a0\u00bb, in <em>Revista<\/em> <em>Internacional de Cultura y Literaturas<\/em>, n\u00b0 15, S\u00e9ville\u00a0; \u00ab\u00a0<a href=\"http:\/\/www.michelhoudiardediteur.com\/2015\/05\/centres-pluriculturels-et-circulation.html\">Le discours sur la femme du <em>Peregrinaggio di tre giovani figliuoli del re di Serendippo<\/em> de Cristoforo Armeno, entre originaux persans et <em>topoi<\/em> italiens<\/a>\u00a0\u00bb, in Patin St\u00e9phane, Richer-Rossi Fran\u00e7oise (dir.), <em>Les Centres Pluriculturels<\/em>, Paris, Houdiard, 2015, p. 131-144\u00a0; \u00ab\u00a0<a href=\"http:\/\/laboratorio.univ-tlse2.fr\/accueil-il-laboratorio\/publications\/publications-papier\/n-15-les-figures-du-feminin-en-rupture-a-venise-415270.kjsp?RH=PubPapie_Laboratorio\">De \u201cprincipessa di tutte le cortigiane\u201d \u00e0 \u201crezina de le bardasse\u201d\u00a0: Livia Azzalina dans les textes satiriques v\u00e9nitiens<\/a>\u00a0\u00bb, in <em>Les figures du f\u00e9minin \u00ab\u00a0en rupture\u00a0\u00bb \u00e0 Venise\u00a0: Courtisanes, actrices, \u00e9pouses, servantes et \u2018putte\u2019<\/em>, Textes r\u00e9unis par C\u00e9cile Berger et Fabien Coletti, Toulouse, Les Collections de l\u2019E.C.R.I.T., 2016, p. 17-82.<\/p>\n<p style=\"text-align: left\"><strong><a href=\"https:\/\/univ-tlse2.academia.edu\/AzzurraMauro\">Azzurra Mauro<\/a><\/strong> est doctorante en co-tutelle entre l&rsquo;universit\u00e9 Toulouse \u2013 Jean Jaur\u00e8s et l&rsquo;Universit\u00e0 degli Studi di Genova.<\/p>\n<p style=\"text-align: left\"><strong><a href=\"https:\/\/univ-tlse2.academia.edu\/S\u00e9bastienMazou\">S\u00e9bastien Mazou<\/a><\/strong>\u00a0est doctorant en co-tutelle entre l&rsquo;universit\u00e9 Toulouse \u2013 Jean Jaur\u00e8s et l&rsquo;universit\u00e9 Venezia Ca&rsquo; Foscari.<\/p>\n<p style=\"text-align: left\">P\u00e9riodicit\u00e9 : annuelle.<\/p>\n<p style=\"text-align: left\">Revue publi\u00e9e en mai 2016 par<\/p>\n<p style=\"text-align: left\">Universit\u00e9 Toulouse \u2013\u00a0Jean Jaur\u00e8s<\/p>\n<p style=\"text-align: left\">5 all\u00e9e Antonio Machado<\/p>\n<p style=\"text-align: left\">31 000 TOULOUSE<\/p>\n<p style=\"text-align: left\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-53\" src=\"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/files\/2015\/02\/Universit\u00e9.png\" alt=\"Universit\u00e9\" width=\"170\" height=\"48\" \/><\/p>\n<p style=\"text-align: left\"><a href=\"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/files\/2015\/02\/Laboratorio.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-52\" src=\"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/files\/2015\/02\/Laboratorio.jpg\" alt=\"Laboratorio\" width=\"112\" height=\"91\" \/><\/a><a href=\"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/files\/2015\/03\/Framespa.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-63\" src=\"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/files\/2015\/03\/Framespa.jpg\" alt=\"Framespa\" width=\"68\" height=\"80\" \/><\/a><\/p>\n<p style=\"text-align: left\"><a href=\"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/files\/2015\/03\/Allph@.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-69\" src=\"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/files\/2015\/03\/Allph@.png\" alt=\"Allph@\" width=\"165\" height=\"172\" \/><\/a><a href=\"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/files\/2015\/03\/TESC.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-70\" src=\"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/files\/2015\/03\/TESC.png\" alt=\"TESC\" width=\"176\" height=\"102\" \/><\/a><\/p>\n<p style=\"text-align: left\">D\u00e9partement d\u2019Histoire\u00a0\u2013\u00a0Section d\u2019Italien<\/p>\n<p style=\"text-align: left\">\u00c9quipes de recherche FRAMESPA\u00a0\u2013\u00a0Il Laboratorio<\/p>\n<p style=\"text-align: left\">\u00c9coles doctorales TESC \u2013\u00a0Allph@<\/p>\n<p style=\"text-align: left\"><a href=\"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/\" rel=\"license\"><img decoding=\"async\" style=\"border-width: 0\" src=\"https:\/\/i.creativecommons.org\/l\/by-nc-nd\/4.0\/88x31.png\" alt=\"Licence Creative Commons\" \/><\/a><br \/>\nIl Campiello \u2013\u00a0Revue jeune chercheurs d&rsquo;\u00e9tudes v\u00e9nitiennes de <a href=\"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/\" rel=\"cc:attributionURL\">https:\/\/blogs.univ-tlse2.fr\/il-campiello\/<\/a> est mis \u00e0 disposition selon les termes de la <a href=\"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0\/\" rel=\"license\">licence Creative Commons Attribution &#8211; Pas d&rsquo;Utilisation Commerciale &#8211; Pas de Modification 4.0 International<\/a>.\u00a0Il est donc possible de t\u00e9l\u00e9charger, imprimer, photocopier et distribuer la revue et ses contenus \u00e0 condition d\u2019indiquer explicitement la paternit\u00e9 de l\u2019\u0153uvre, de ne pas l\u2019utiliser \u00e0 des fins commerciales et de ne pas la modifier.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il Campiello\u00a0\u2013 Revue \u00e9lectronique jeunes chercheurs d\u2019\u00e9tudes v\u00e9nitiennes ISSN 2495-215X Num\u00e9ro 1\u00a0\u2013\u00a02016 Directeur de publication :\u00a0Fabien Coletti Comit\u00e9 de r\u00e9daction :\u00a0Fabien Coletti \u2013\u00a0Azzurra Mauro \u2013\u00a0S\u00e9bastien Mazou Avec la pr\u00e9cieuse collaboration d&rsquo;\u00c9ric Ferrante,\u00a0Ing\u00e9nieur de la technologie de la formation, Direction DTICE, D\u00e9veloppement internet et multim\u00e9dia. Fabien Coletti est agr\u00e9g\u00e9 d\u2019Italien. Il termine actuellement une th\u00e8se de [&hellip;]<\/p>\n","protected":false},"author":260,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-321","page","type-page","status-publish","hentry","post-preview"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/wp-json\/wp\/v2\/pages\/321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/wp-json\/wp\/v2\/users\/260"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/wp-json\/wp\/v2\/comments?post=321"}],"version-history":[{"count":19,"href":"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/wp-json\/wp\/v2\/pages\/321\/revisions"}],"predecessor-version":[{"id":475,"href":"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/wp-json\/wp\/v2\/pages\/321\/revisions\/475"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/il-campiello\/wp-json\/wp\/v2\/media?parent=321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}