{"id":33,"date":"2011-01-31T12:03:08","date_gmt":"2011-01-31T11:03:08","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/lla-espana31\/"},"modified":"2025-03-18T16:05:42","modified_gmt":"2025-03-18T15:05:42","slug":"publications","status":"publish","type":"page","link":"https:\/\/blogs.univ-tlse2.fr\/lla-espana31\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"

Collection \u00abHispania\u00bb<\/big><\/p>\n

\"\"<\/a><\/p>\n

Direction:\u00a0 Christine P\u00e9r\u00e8s
\n\u00c9ditions Lansman<\/span><\/big><\/p>\n


\n<\/span><\/p>\n

La notation informatique du personnage th\u00e9\u00e2tral (Collectif)<\/span><\/p>\n

Le temps des possibles. Regards sur l’utopie en Espagne au XIXe si\u00e8cle\u00a0 (Jacques Ballest\u00e9 \/ Solange Hibbs)<\/span><\/p>\n

La cr\u00e9ation artistique hispanique \u00e0 l’\u00e9preuve de l’utopie (XIXe – XXIe si\u00e8cles)\u00a0 (Marie-Linda Ortega)<\/span><\/p>\n

Transgression et folie dans les dramaturgies f\u00e9minines hispaniques contemporaines (Emmanuelle Garnier)<\/span><\/p>\n

Transitions, transgressions dans l’iconographie hispanique moderne et contemporaine\u00a0 (Sylvie M\u00e9gevand \/ Jean-Michel Mendiboure)<\/span><\/p>\n

Au commencement du r\u00e9cit (Christine P\u00e9r\u00e8s)<\/span><\/p>\n

Rideau ou la fin du th\u00e9\u00e2tre (Carole Egger)<\/span><\/p>\n

Voir le corps dans l’Espagne d’aujourd’hui (Bernard Bessi\u00e8re \/ Jean-Michel Mendiboure)<\/span><\/p>\n

Sexe(s) en sc\u00e8ne(s) (Isabelle Reck)<\/span><\/p>\n

Raconter le corps (Christine P\u00e9r\u00e8s \/ Jean Alsina)<\/span><\/p>\n

Le corps grotesque (Christilla Vasserot)<\/span><\/p>\n

Les maux du corps (Solange Hibbs Lissorgues \/ Jacques Ballest\u00e9)<\/span><\/p>\n

Corps en sc\u00e8ne\u00a0 (Monique Martinez)<\/span><\/p>\n


\n<\/span><\/p>\n

Collection \u00abNouvelles sc\u00e8nes\u00bb<\/big><\/p>\n

\"\"<\/a><\/p>\n

Direction : Agn\u00e8s Surb\u00e9zy<\/big><\/p>\n

<\/span><\/p>\n

Presses Universitaires du Mirail<\/big><\/span><\/p>\n

<\/p>\n

<\/p>\n

Homenaje a los malditos \/ L\u2019hommage aux maudits
\nEusebio Calonge<\/span>
\nEl local de Bernadeta A. \/ La Maison de Bernadeta A.
\nLourdes Ortiz<\/span>
\nZahra, favorita de Al-Andalus \/ Zahra, favorite d\u2019Al-Andalus
\nAntonia Bueno<\/span>
\nP\u00e8re Lachaise \u2022 Pared \/ Le mur\u00a0\u00a0 Itziar Pascual
\n\u00a1Hombres\u00a0! \u2022 Un lugar estrat\u00e9gico
\nCia T de Theatre \u2022 Gracias Morales<\/span>
\nUn aire ausente \u2013 Rodeo<\/p>\n

Merc\u00e9 Sarrias – Llu\u00efsa Cunill\u00e9<\/span>
\nEl gordo y el flaco \u2022 El grito de los espejos
\nJuan Mayorga \u2022 Marcelo Lobera<\/span>
\nLas voces de Penelope \u2022 Como si fuera esta noche
\nItziar Pascual <\/strong><\/span><\/span> \u2022<\/span> <\/span>Gracia Morales<\/span>
\nCin\u00e9ma-Utoppia \u2022 \u00a1A ver, un aplauso\u00a0!
\nRam\u00f3n Griffero <\/span>\u2022 C\u00e9sar de Mar\u00eda<\/span>
\nConspiraci\u00f3n Carm\u00edn \u2022 Sangre lunar<\/p>\n

Jos\u00e9 Sanchis Sinisterra<\/span>
\nPor narices \u2022 Histoires de nez<\/p>\n

Zurro Alfonso<\/span>
\nDedos \u2022 Avec doigt\u00e9<\/p>\n

Ortiz de Gondra Borj<\/span><\/span>a<\/span>
\nRezagados \u2022 Auto<\/p>\n

Caballero Ernesto<\/span>
\nEl saludador \u2022 Le salueur<\/p>\n

Cossa Roberto<\/span>
\nLos figurantes \u2022 Les figurants<\/p>\n

Sanchis Sinisterra Jos\u00e9<\/span>
\nBufoner\u00edas \u2022 Bouffonneries<\/p>\n

Zurro Alfonso<\/span>
\nEntre puertas y paredes \u2022 Histoires de portes et de murs
\nGracia Morales<\/span>
\nLa trompeta de cristal veteado \u2022 La trompette de cristal vein\u00e9<\/p>\n

Portes Francisco<\/span>
\nNotas de cocina \u2022 Notes de cuisine<\/p>\n

Rodrigo Garc\u00eda<\/span><\/p>\n

<\/p>\n

Collection \u00abAnachronotes\u00bb<\/big><\/p>\n

\"\"<\/a>
\nDirection : Emmanuelle Garnier
\nEdition Les Anachroniques <\/big><\/p>\n

Pervertimento<\/p>\n

Jos\u00e9 Sanchis Sinisterra<\/span>
\nHistoire \u00e0 l\u2019envers<\/p>\n

Marcelo Lobera<\/span>
\nBlatman y la ciutat submarina<\/p>\n

Pau Plana<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Collection \u00abHispania\u00bb Direction:\u00a0 Christine P\u00e9r\u00e8s \u00c9ditions Lansman<\/p>\n","protected":false},"author":69,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-33","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/lla-espana31\/wp-json\/wp\/v2\/pages\/33","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/lla-espana31\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/lla-espana31\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/lla-espana31\/wp-json\/wp\/v2\/users\/69"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/lla-espana31\/wp-json\/wp\/v2\/comments?post=33"}],"version-history":[{"count":41,"href":"https:\/\/blogs.univ-tlse2.fr\/lla-espana31\/wp-json\/wp\/v2\/pages\/33\/revisions"}],"predecessor-version":[{"id":460,"href":"https:\/\/blogs.univ-tlse2.fr\/lla-espana31\/wp-json\/wp\/v2\/pages\/33\/revisions\/460"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/lla-espana31\/wp-json\/wp\/v2\/media?parent=33"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}