{"id":109,"date":"2013-10-15T10:58:40","date_gmt":"2013-10-15T08:58:40","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/?page_id=109"},"modified":"2025-03-12T17:24:52","modified_gmt":"2025-03-12T16:24:52","slug":"terminologie-definitions","status":"publish","type":"page","link":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/theorie-pratique\/terminologie-definitions\/","title":{"rendered":"Terminologies, d\u00e9finitions"},"content":{"rendered":"<p style=\"text-align: left\">Dans cette partie nous avons d\u00e9finit certains termes du vocabulaire musical du XV si\u00e8cle :<\/p>\n<p style=\"text-align: center\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a title=\"La musica ficta\" href=\"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/theorie-pratique\/terminologie-definitions\/la-musica-ficta-3\/\">\u00ab\u00a0Musica ficta\u00a0\u00bb<\/a><\/p>\n<p style=\"text-align: left\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a title=\"Le Canon\" href=\"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/theorie-pratique\/terminologie-definitions\/le-canon\/\">\u00ab\u00a0Le Canon\u00a0\u00bb<\/a><\/p>\n<p style=\"text-align: right\"><a title=\"La solmisation et la main guidonienne\" href=\"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/theorie-pratique\/terminologie-definitions\/la-solmisation\/\">\u00a0\u00bb\u00a0La Main guidonienne\u00a0\u00bb<\/a><\/p>\n<p style=\"text-align: left\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a title=\"La solmisation et la main guidonienne\" href=\"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/theorie-pratique\/terminologie-definitions\/la-solmisation\/\">\u00a0\u00ab\u00a0La Solmisation\u00a0\u00bb<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans cette partie nous avons d\u00e9finit certains termes du vocabulaire musical du XV si\u00e8cle : \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 [..]<\/p>\n","protected":false},"author":205,"featured_media":0,"parent":21,"menu_order":3,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-109","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/pages\/109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/users\/205"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/comments?post=109"}],"version-history":[{"count":12,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/pages\/109\/revisions"}],"predecessor-version":[{"id":815,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/pages\/109\/revisions\/815"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/pages\/21"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/media?parent=109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}