{"id":357,"date":"2013-11-20T00:21:48","date_gmt":"2013-11-19T22:21:48","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/?page_id=357"},"modified":"2025-03-12T17:24:13","modified_gmt":"2025-03-12T16:24:13","slug":"sermisy","status":"publish","type":"page","link":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/la-chanson-francaise-1520-1580\/la-musique-parisienne-de-la-renaissance\/sermisy\/","title":{"rendered":"Claudin de Sermisy"},"content":{"rendered":"<p><a title=\"Claudin de Sermisy\" href=\"http:\/\/www.musicologie.org\/Biographies\/sermisy_claudin.html\">Claudin de Sermisy<\/a><\/p>\n<p>Les paroles des chansons de Sermisy sont plus \u00ab\u00a0retenues\u00a0\u00bb que les autres compositeurs sur l&rsquo;amour grivois.<\/p>\n<p>Ci-dessous, <em>Tant que Vivray<\/em>, de Sermisy<\/p>\n<p>http:\/\/www.youtube.com\/watch?v=CW31yXZIrbM<\/p>\n<p>&nbsp;<\/p>\n<p>En \u00e9coutant bien attentivement, on reconna\u00eet le style de la musique parisienne :<br \/>\n-homophonie<\/p>\n<p>-m\u00e9lodie \u00e0 la voix aigu\u00eb<\/p>\n<p>-contr\u00f4le des dissonances<\/p>\n<p>-rythme binaire<\/p>\n<p>-paroles sur l&rsquo;amour.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Claudin de Sermisy Les paroles des chansons de Sermisy sont plus \u00ab\u00a0retenues\u00a0\u00bb que les autres compositeurs sur l&rsquo;amour grivois. Ci-dessous, Tant que Vivray, de Sermisy http:\/\/www.youtube.com\/watch?v=CW31yXZIrbM &nbsp; En [..]<\/p>\n","protected":false},"author":208,"featured_media":0,"parent":354,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-357","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/pages\/357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/users\/208"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/comments?post=357"}],"version-history":[{"count":5,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/pages\/357\/revisions"}],"predecessor-version":[{"id":528,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/pages\/357\/revisions\/528"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/pages\/354"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/media?parent=357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}