{"id":238,"date":"2013-11-13T00:52:33","date_gmt":"2013-11-12T22:52:33","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/?p=238"},"modified":"2013-11-13T00:52:33","modified_gmt":"2013-11-12T22:52:33","slug":"big-up","status":"publish","type":"post","link":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/2013\/11\/13\/big-up\/","title":{"rendered":"Big Up!"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"Cl\u00e9ment Janequin:  Missa &quot;La Bataille&quot; (Ensemble Cl\u00e9ment Janequin)\" width=\"590\" height=\"443\" src=\"https:\/\/www.youtube.com\/embed\/LeOsJVlatLo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"text-decoration: underline\">Missa super \u00ab\u00a0La bataille\u00a0\u00bb<\/span> Cl\u00e9ment Janequin<\/p>\n<p><span style=\"color: #339966\"><em>Cl\u00e9ment Janequin (cf. rubrique en brief 1)<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Cet extrait pr\u00e9sente un ensemble compos\u00e9 de 8 chanteurs et 4 instrumentistes:<\/p>\n<p>2 Contre-t\u00e9nors \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 1 Cornettiste<\/p>\n<p>2 T\u00e9nors \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a03 Sacqueboutiers<\/p>\n<p>2 Barytons<\/p>\n<p style=\"text-align: left\">2 Basses<\/p>\n<p style=\"text-align: left\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Les formations varient selon le choix des ensembles sans pour autant d\u00e9naturer la base \u00e9tant donn\u00e9 qu&rsquo;\u00e0 la renaissance l&rsquo;exercice de la distribution de la partition \u00e9tait beaucoup plus libre.<\/p>\n<p style=\"text-align: left\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ici les instruments doublent les voix avec un rapport de deux chanteurs et un instrument pour une m\u00eame voix. Acoustiquement, l&rsquo;\u00e9quilibre est coh\u00e9rent. Le r\u00e9sultat ici est celui d&rsquo;un ensemble, totalement : il n&rsquo;y a pas de pr\u00e9dominance entre les parties chant\u00e9es et les parties instrumentales mais il n&rsquo;y a pas non plus de priorit\u00e9 d&rsquo;une voix \u00e0 l&rsquo;autre.<\/p>\n<p style=\"text-align: left\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ces \u00e9l\u00e9ments combin\u00e9s permettent de comprendre pourquoi il n&rsquo;y a pas de diff\u00e9rence \u00e0 l\u2019ex\u00e9cution d&rsquo;une partition\u00a0 de cette p\u00e9riode par un ensemble vocal ou instrumental.<\/p>\n<p style=\"text-align: left\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cette <span style=\"text-decoration: underline\">Missa super \u00ab\u00a0La bataille\u00a0\u00bb<\/span>\u00a0 de Cl\u00e9ment Janequin est elle-m\u00eame une suite, une succession \u00e0 \u00ab\u00a0La Guerre\u00a0\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Missa super \u00ab\u00a0La bataille\u00a0\u00bb Cl\u00e9ment Janequin Cl\u00e9ment Janequin (cf. rubrique en brief 1) &nbsp; Cet extrait pr\u00e9sente un ensemble compos\u00e9 de 8 chanteurs et 4 instrumentistes: 2 Contre-t\u00e9nors [..]<\/p>\n","protected":false},"author":205,"featured_media":239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34700],"tags":[],"class_list":["post-238","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instruments-voix"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/posts\/238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/users\/205"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/comments?post=238"}],"version-history":[{"count":8,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/posts\/238\/revisions"}],"predecessor-version":[{"id":544,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/posts\/238\/revisions\/544"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/media\/239"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/media?parent=238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/categories?post=238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/musique-renaissance\/wp-json\/wp\/v2\/tags?post=238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}