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\u00a0\u00a0\u00a0Download<\/a><\/p>\n\n
I. North America<\/h2>\n
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AMN 01<\/strong><\/p>\n DATING OF ROCK PAINTINGS IN THE AMERICAS: AMN 02<\/strong><\/p>\n THE EARLIEST ROCK ART IN FAR WESTERN NORTH AMERICA<\/a><\/p>\n AMN 03<\/strong><\/p>\n LATE PLEISTOCENE PETROGLYPH TRADITIONS AMN 04<\/strong><\/p>\n THE HENSLER PETROGLYPH SITE (47 DO 461): AMN 05<\/strong><\/p>\n OLD PETROGLYPHS ON THE NORTH AMERICAN HIGH PLAINS<\/a><\/p>\n AMN 06<\/strong><\/p>\n PRECURSORS OF FIGURATIVE DEPICTIONS IN THE NONICONIC WESTERN AMN 07<\/strong><\/p>\n EARLY ROCK ART OF THE AMERICAS AS REFLECTED AMN 08<\/strong><\/p>\n NORTH AMERICAN PETROFORMS: AMN 09<\/strong><\/p>\n PATTERNS AND PROCESS: AMN 10<\/strong><\/p>\n A CONTEXT FOR THE VERO BEACH ENGRAVED MAMMOTH<\/a><\/p>\n AMN 11<\/strong><\/p>\n PALEOINDIAN PORTABLE ART FROM WYOMING (USA)<\/a><\/p>\n AMS 01<\/strong><\/p>\n CHRONOLOGY OF THE ROCK PAINTINGS IN THE SERRA DA CAPIVARA NATIONAL PARK (BRAZIL)<\/a><\/p>\n AMS 02<\/strong><\/p>\n THE OLDEST ROCK ART IN CENTRAL BRAZIL: AMS 03<\/strong><\/p>\n EARLY ROCK ART IN NORTHERN URUGUAY<\/a><\/p>\n AMS 04<\/strong><\/p>\n PLEISTOCENE\/HOLOCENE ROCK ART IN LA PUNA DE ATACAMA (JUJUY, ARGENTINA)<\/a><\/p>\n AMS 05<\/strong><\/p>\n EARLY EVIDENCE OF HUNTER-GATHERER ROCK ART IN LA PUNA AMS 06<\/strong><\/p>\n ENGRAVINGS FROM THE EARLY HOLOCENE AMS 07<\/strong><\/p>\n HUNTING SCENES AT CUEVA DE LAS MANOS: AMS 08<\/strong><\/p>\n ROCK ART, MOBILITY, AND CLIMATE CHANGE AMS 09<\/strong><\/p>\n PLEISTOCENE ROCK ART IN SANTA CRUZ (PATAGONIA, ARGENTINA)<\/a><\/p>\n AMS 10<\/strong><\/p>\n ROCK ART IN THE PLEISTOCENE-HOLOCENE TRANSITION: <\/p>","protected":false},"excerpt":{"rendered":" Symposium 3 Pleistocene art of the Americas \u00a0\u00a0\u00a0Download I. North America AMN 01 Marvin W. ROWE DATING OF ROCK PAINTINGS IN THE AMERICAS: a Word of Caution AMN 02 David S. WHITLEY, Ronald I. DORN THE EARLIEST ROCK ART IN FAR WESTERN NORTH AMERICA AMN 03 Alice M. TRATEBAS LATE PLEISTOCENE PETROGLYPH TRADITIONS ON THE … Continue reading 2013-Symposium-03<\/span> Marvin W. ROWE<\/h6>\n
\na Word of Caution<\/a><\/p>\n
\nDavid S. WHITLEY, Ronald I. DORN<\/h6>\n
\nAlice M. TRATEBAS<\/h6>\n
\nON THE NORTH AMERICAN PLAINS<\/a><\/p>\n
\nJack STEINBRING<\/h6>\n
\nan Early Engraving Site in the North American Mid-Continent<\/a><\/p>\n
\nLawrence LOENDORF<\/h6>\n
\nEkkehart MALOTKI<\/h6>\n
\nARCHAIC TRADITION ROCK ART OF THE AMERICAN WEST<\/a><\/p>\n
\nWilliam Breen MURRAY<\/h6>\n
\nIN THE NORTHEAST MEXICAN CORRIDOR<\/a><\/p>\n
\nJack STEINBRING, Norman MULLER<\/h6>\n
\nQuestions of the Chronological and Cultural Placement<\/a><\/p>\n
\nD. Clark WERNECKE, Michael B. COLLINS<\/h6>\n
\nSome Thoughts on the Incised Stones from the Gault Site (Central Texas, USA)<\/a><\/p>\n
\nBarbara Olins ALPERT<\/h6>\n
\nDanny N. WALKER, Michael T. BIES, Todd SUROVELL, George C. FRISON, Mark E. MILLER<\/h6>\n
\nII. South America<\/h2>\n
\nNi\u00e8de GUIDON, Gabriela MARTIN, Anne-Marie PESSIS<\/h6>\n
\nAndr\u00e9 PROUS<\/h6>\n
\nCurrent Knowledge<\/a><\/p>\n
\nLeonel CABRERA P\u00c9REZ<\/h6>\n
\nHugo D. YACOBACCIO, Patricia SOL\u00c1, Mar\u00eda Susana ALONSO, Marta S. MAIER,
\nMariana ROSENBUSCH, Cristina V\u00c1SQUEZ, Mar\u00eda Paz CAT\u00c1<\/h6>\n
\nMar\u00eda Mercedes PODEST\u00c1, Carlos A. ASCHERO<\/h6>\n
\n(NORTHWEST OF ARGENTINA)<\/a><\/p>\n
\nPablo ARIAS, Eduardo CRIVELLI MONTERO,
\nMabel M. FERN\u00c1NDEZ, Luis C\u00e9sar TEIRA MAYOLINI<\/h6>\n
\nIN CUEVA EPULL\u00c1N GRANDE (NEUQU\u00c9N PROVINCE, ARGENTINA):
\nLatest Research<\/a><\/p>\n
\nCarlos A. ASCHERO<\/h6>\n
\na Regional Perspective (Santa Cruz, Argentina)<\/a><\/p>\n
\nRafael A. GO\u00d1I, Juan Bautista BELARDI<\/h6>\n
\nIN SOUTHERN PATAGONIA IN THE HOLOCENE
\nWhy the Change?<\/a><\/p>\n
\nRafael Sebasti\u00e1n PAUNERO<\/h6>\n
\nLaura MIOTTI, Natalia CARDEN, Roc\u00edo BLANCO<\/h6>\n
\nEvidence from the Meseta Central in Santa Cruz (Patagonia, Argentina)<\/a><\/p>\n
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