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CONTENTS<\/h1>\n
\nRandall WHITE, Rapha\u00eblle BOURRILLON, Fran\u00e7ois BON<\/h6>\n
INTRODUCTION<\/a><\/p>\n AT THE CROSSROADS<\/a><\/p>\n THE AURIGNACIAN VIEWED FROM AFRICA<\/a><\/p>\n ORIGIN AND DEVELOPMENT OF AURIGNACIAN OSSEOUS TECHNOLOGY THE CHRONOCULTURAL SEQUENCE OF BELGIAN COMPLEXES THE LITHIC INDUSTRIES FROM THE AURIGNACIAN SITE OF THE ABRI DE LA SOUQUETTE EARLY AURIGNACIAN GRAPHIC ARTS IN THE V\u00c9Z\u00c8RE VALLEY: EARLY AND ARCHAIC AURIGNACIAN PERSONAL ORNAMENTS FROM ISTURITZ CAVE: THE AURIGNACIAN IN SOUTHERN BURGUNDY<\/a><\/p>\n MARINE RESOURCE EXPLOITATION DURING IN SEARCH OF LOST TIME. DATING METHODS FOR PREHISTORIC ART: EARLY UPPER PALEOLITHIC PARIETAL ART: EVALUATING AURIGNACIAN ART IN IBERIA… ANIMATION AND GRAPHIC NARRATION IN THE AURIGNACIAN<\/a><\/p>\n FROM GESTURE TO MYTH: THE OLDEST PORTABLE ART: PERSONAL ORNAMENTS OF THE SWABIAN AURIGNACIAN<\/a><\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" CONTENTS Randall WHITE, Rapha\u00eblle BOURRILLON, Fran\u00e7ois BON INTRODUCTION Fran\u00e7ois BON AT THE CROSSROADS Christian A. TRYON THE AURIGNACIAN VIEWED FROM AFRICA \u00c9lise TARTAR ORIGIN AND DEVELOPMENT OF AURIGNACIAN OSSEOUS TECHNOLOGY IN WESTERN EUROPE: a Review of Current Knowledge Damien FLAS THE CHRONOCULTURAL SEQUENCE OF BELGIAN COMPLEXES IN THE EUROPEAN AURIGNACIAN CONTEXT Laurent CHIOTTI, Catherine CRETIN, … Continue reading 2015-REVIEW<\/span>
\nFran\u00e7ois BON<\/h6>\n
\nChristian A. TRYON<\/h6>\n
\n\u00c9lise TARTAR<\/h6>\n
\nIN WESTERN EUROPE:
\na Review of Current Knowledge<\/a><\/p>\n
\nDamien FLAS<\/h6>\n
\nIN THE EUROPEAN AURIGNACIAN CONTEXT<\/a><\/p>\n
\nLaurent CHIOTTI, Catherine CRETIN, Andr\u00e9 MORALA<\/h6>\n
\nBLANCHARD AND CASTANET ROCK SHELTERS (DORDOGNE, FRANCE):
\nData from the 2005-2012 Excavations<\/a><\/p>\n
\nJohn F. O\u2019HARA, Randall WHITE, Zenobie S. GARRETT, Tom HIGHAM, Alain ROUSSOT<\/h6>\n
\n(COMMUNE DE SERGEAC, DORDOGNE)
\nA History of Archaeology <\/a><\/p>\n
\nRapha\u00eblle BOURRILLON, Randall WHITE<\/h6>\n
\nIn Search of an Identity?<\/a><\/p>\n
\nRandall WHITE, Christian NORMAND<\/h6>\n
\nTechnological and Regional Perspectives<\/a><\/p>\n
\nHarald FLOSS, Christian T. HOYER, Claire E. HECKEL, \u00c9lise TARTAR<\/h6>\n
\nEsteban \u00c1LVAREZ-FERN\u00c1NDEZ<\/h6>\n
\nTHE MIDDLE AND EARLY UPPER PALEOLITHIC IN EUROPE:
\nOverview of the Available Evidence<\/a><\/p>\n
\nGeorges SAUVET<\/h6>\n
\nthe Example of Aurignacian Sites<\/a><\/p>\n
\nStephane PETROGNANI<\/h6>\n
\nShared Characteristics and Different Symbolic Traditions<\/a><\/p>\n
\nDiego GARATE, Olivia RIVERO, Joseba RIOS-GARAIZAR<\/h6>\n
\nIf it Really Exists<\/a><\/p>\n
\nMarc AZ\u00c9MA<\/h6>\n
\nCarole FRITZ, Gilles TOSELLO<\/h6>\n
\nArtists\u2019 techniques on the walls of Chauvet Cave<\/a><\/p>\n
\nHarald FLOSS<\/h6>\n
\nthe Aurignacian Ivory Figurines from the Swabian Jura (Southwest Germany)<\/a><\/p>\n
\nSibylle WOLF, Nicholas J. CONARD<\/h6>\n
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