{"id":1830,"date":"2013-02-02T22:43:29","date_gmt":"2013-02-02T21:43:29","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/?p=1830"},"modified":"2015-02-10T16:25:24","modified_gmt":"2015-02-10T15:25:24","slug":"2013-symposium-03","status":"publish","type":"post","link":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/2013-symposium-03\/","title":{"rendered":"2013-Symposium-03"},"content":{"rendered":"

<\/p>\n

\n

Symposium 3<\/h1>\n

L\u2019art pl\u00e9istoc\u00e8ne des Am\u00e9riques<\/h2>\n

\"Icone\u00a0\u00a0\u00a0T\u00e9l\u00e9charger<\/a><\/p>\n

\n

I. Am\u00e9rique du Nord<\/h2>\n
\n

AMN 01<\/strong><\/p>\n

Marvin W. ROWE<\/h6>\n

DATATIONS DES PEINTURES RUPESTRES DANS LES AM\u00c9RIQUES :
\nmise en garde<\/a><\/p>\n

\n

AMN 02<\/strong><\/p>\n

David S. WHITLEY, Ronald I. DORN<\/h6>\n

LE PLUS VIEIL ART RUPESTRE DANS L\u2019EXTR\u00caME OUEST DE L\u2019AM\u00c9RIQUE DU NORD<\/a><\/p>\n

\n

AMN 03<\/strong><\/p>\n

Alice M. TRATEBAS<\/h6>\n

LES TRADITIONS DE P\u00c9TROGLYPHES DU PL\u00c9ISTOC\u00c8NE R\u00c9CENT
\nDANS LES PLAINES D\u2019AM\u00c9RIQUE DU NORD<\/a><\/p>\n

\n

AMN 04<\/strong><\/p>\n

Jack STEINBRING<\/h6>\n

LE SITE \u00c0 GRAVURES RUPESTRES DE HENSLER (47 DO 461) :
\nun site grav\u00e9 ancien au centre du continent nord am\u00e9ricain<\/a><\/p>\n

\n

AMN 05<\/strong><\/p>\n

Lawrence LOENDORF<\/h6>\n

P\u00c9TROGLYPHES ANCIENS DANS LES GRANDES PLAINES D\u2019AM\u00c9RIQUE DU NORD<\/a><\/p>\n

\n

AMN 06<\/strong><\/p>\n

Ekkehart MALOTKI<\/h6>\n

LES PR\u00c9CURSEURS DES REPR\u00c9SENTATIONS FIGURATIVES DANS L\u2019ART RUPESTRE
\nNON ICONIQUE DE TRADITION WESTERN ARCHAIC EN AM\u00c9RIQUE DE L\u2019OUEST<\/a><\/p>\n

\n

AMN 07<\/strong><\/p>\n

William Breen MURRAY<\/h6>\n

LES D\u00c9BUTS DE L\u2019ART RUPESTRE AUX AM\u00c9RIQUES,
\nCOMME EN T\u00c9MOIGNE LE COULOIR MEXICAIN DU NORD-EST<\/a><\/p>\n

\n

AMN 08<\/strong><\/p>\n

Jack STEINBRING, Norman MULLER<\/h6>\n

LES G\u00c9OGLYPHES D\u2019AM\u00c9RIQUE DU NORD :
\nquestions sur leur attribution chronologique et culturelle<\/a><\/p>\n

\n

AMN 09<\/strong><\/p>\n

D. Clark WERNECKE, Michael B. COLLINS<\/h6>\n

MOTIFS ET PROC\u00c9D\u00c9S :
\nquelques r\u00e9flexions sur les pierres incis\u00e9es du site de Gault (Texas central, \u00c9tats-Unis)<\/a><\/p>\n

\n

AMN 10<\/strong><\/p>\n

Barbara Olins ALPERT<\/h6>\n

CONTEXTE POUR LE MAMMOUTH GRAV\u00c9 DE VERO BEACH<\/a><\/p>\n

\n

AMN 11<\/strong><\/p>\n

Danny N. WALKER, Michael T. BIES, Todd SUROVELL, George C. FRISON, Mark E. MILLER<\/h6>\n

L\u2019ART MOBILIER PAL\u00c9OINDIEN DU WYOMING (\u00c9TATS-UNIS)<\/a><\/p>\n

\n

II. Am\u00e9rique du Sud<\/h2>\n
\n

AMS 01<\/strong><\/p>\n

Ni\u00e8de GUIDON, Gabriela MARTIN, Anne-Marie PESSIS<\/h6>\n

CHRONOLOGIE DES PEINTURES RUPESTRES DU PARC NATIONAL SERRA DA CAPIVARA (BR\u00c9SIL)<\/a><\/p>\n

\n

AMS 02<\/strong><\/p>\n

Andr\u00e9 PROUS<\/h6>\n

LE PLUS ANCIEN ART RUPESTRE DU BR\u00c9SIL CENTRAL :
\n\u00e9tat de la question<\/a><\/p>\n

\n

AMS 03<\/strong><\/p>\n

Leonel CABRERA P\u00c9REZ<\/h6>\n

ART RUPESTRE ANCIEN EN URUGUAY SEPTENTRIONAL<\/a><\/p>\n

\n

AMS 04<\/strong><\/p>\n

Hugo D. YACOBACCIO, Patricia SOL\u00c1, Mar\u00eda Susana ALONSO, Marta S. MAIER,
\nMariana ROSENBUSCH, Cristina V\u00c1SQUEZ, Mar\u00eda Paz CAT\u00c1<\/h6>\n

ART RUPESTRE PL\u00c9ISTOC\u00c8NE\/HOLOC\u00c8NE \u00c0 LA PUNA DE ATACAMA (JUJUY, ARGENTINE)<\/a><\/p>\n

\n

AMS 05<\/strong><\/p>\n

Mar\u00eda Mercedes PODEST\u00c1, Carlos A. ASCHERO<\/h6>\n

INDICES DE MANIFESTATIONS ANCIENNES D\u2019ART RUPESTRE DES CHASSEURS-CUEILLEURS
\nDE LA PUNA (NORD-OUEST DE L\u2019ARGENTINE)<\/a><\/p>\n

\n

AMS 06<\/strong><\/p>\n

Pablo ARIAS, Eduardo CRIVELLI MONTERO,
\nMabel M. FERN\u00c1NDEZ, Luis C\u00e9sar TEIRA MAYOLINI<\/h6>\n

LES GRAVURES DE L\u2019HOLOC\u00c8NE ANCIEN \u00c0 CUEVA EPULL\u00c1N GRANDE,
\nPROVINCE DE NEUQU\u00c9N, ARGENTINE :
\nnouvelles donn\u00e9es<\/a><\/p>\n

\n

AMS 07<\/strong><\/p>\n

Carlos A. ASCHERO<\/h6>\n

SC\u00c8NES DE CHASSE \u00c0 CUEVA DE LAS MANOS :
\nperspective r\u00e9gionale (Santa Cruz, Argentine)<\/a><\/p>\n

\n

AMS 08<\/strong><\/p>\n

Rafael A. GO\u00d1I, Juan Bautista BELARDI<\/h6>\n

ART RUPESTRE, MOBILIT\u00c9 ET VARIATIONS CLIMATIQUES
\nEN PATAGONIE AUSTRALE DURANT L\u2019HOLOC\u00c8NE
\nPourquoi ce changement ?<\/a><\/p>\n

\n

AMS 09<\/strong><\/p>\n

Rafael Sebasti\u00e1n PAUNERO<\/h6>\n

ART RUPESTRE PL\u00c9ISTOC\u00c8NE \u00c0 SANTA CRUZ (PATAGONIE, ARGENTINE)<\/a><\/p>\n

\n

AMS 10<\/strong><\/p>\n

Laura MIOTTI, Natalia CARDEN, Roc\u00edo BLANCO<\/h6>\n

ART RUPESTRE DE LA TRANSITION PL\u00c9ISTOC\u00c8NE-HOLOC\u00c8NE :
\ndonn\u00e9es de la Meseta Centrale de Santa Cruz (Patagonie argentine)<\/a><\/p>\n

\n
<< Symposium 2<\/a>    |    Symposium 4 >><\/a><\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Symposium 3 L\u2019art pl\u00e9istoc\u00e8ne des Am\u00e9riques \u00a0\u00a0\u00a0T\u00e9l\u00e9charger I. Am\u00e9rique du Nord AMN 01 Marvin W. ROWE DATATIONS DES PEINTURES RUPESTRES DANS LES AM\u00c9RIQUES : mise en garde AMN 02 David S. WHITLEY, Ronald I. DORN LE PLUS VIEIL ART RUPESTRE DANS L\u2019EXTR\u00caME OUEST DE L\u2019AM\u00c9RIQUE DU NORD AMN 03 Alice M. TRATEBAS LES TRADITIONS DE … Continuer la lecture de 2013-Symposium-03<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":231,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40423],"tags":[],"class_list":["post-1830","post","type-post","status-publish","format-standard","hentry","category-2013-5-articles"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/posts\/1830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/users\/231"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/comments?post=1830"}],"version-history":[{"count":39,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/posts\/1830\/revisions"}],"predecessor-version":[{"id":2269,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/posts\/1830\/revisions\/2269"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/media?parent=1830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/categories?post=1830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/tags?post=1830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}