 {"id":1869,"date":"2013-02-03T11:17:29","date_gmt":"2013-02-03T10:17:29","guid":{"rendered":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/?p=1869"},"modified":"2015-02-09T15:48:29","modified_gmt":"2015-02-09T14:48:29","slug":"2013-symposium-05","status":"publish","type":"post","link":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/2013-symposium-05\/","title":{"rendered":"2013-Symposium-05"},"content":{"rendered":"<p><\/p>\n<h1>Symposium 5<\/h1>\n<h2>L\u2019art pl\u00e9istoc\u00e8ne en Australie<\/h2>\n<p><a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-content\/files\/2013\/fr-FR\/Palethnologie-2013-FR-Symposium-05.pdf\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-92\" src=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/files\/2014\/04\/ico-pdf-021.gif\" alt=\"Icone pdf\" width=\"44\" height=\"51\" \/>\u00a0\u00a0\u00a0T\u00e9l\u00e9charger<\/a><\/p>\n<hr \/>\n<p><strong>AUS 1<\/strong><\/p>\n<h6>Graeme K. WARD<\/h6>\n<p><a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-content\/files\/2013\/fr-FR\/Palethnologie-2013-FR-AUS1_Ward.pdf\" target=\"_blank\">PEINTURES RUPESTRES PL\u00c9ISTOC\u00c8NES EN AUSTRALIE<\/a><\/p>\n<hr align=\"left\" width=\"40%\" style=\"margin-top: 20px;margin-bottom: 20px\" \/>\n<p><strong>AUS 2<\/strong><\/p>\n<h6>Jo McDONALD, Peter VETH<\/h6>\n<p><a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-content\/files\/2013\/fr-FR\/Palethnologie-2013-FR-AUS2_McDonald-Veth.pdf\" target=\"_blank\">L\u2019ART RUPESTRE PL\u00c9ISTOC\u00c8NE :<br \/>\nun r\u00e9pertoire colonisateur pour les premiers habitants d\u2019Australie<\/a><\/p>\n<hr align=\"left\" width=\"40%\" style=\"margin-top: 20px;margin-bottom: 20px\" \/>\n<p><strong>AUS 3<\/strong><\/p>\n<h6>Mike DONALDSON<\/h6>\n<p><a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-content\/files\/2013\/fr-FR\/Palethnologie-2013-FR-AUS3_Donaldson.pdf\" target=\"_blank\">LE STYLE ARTISTIQUE DE GWION OU DE BRADSHAW DE LA R\u00c9GION DU KIMBERLEY EN AUSTRALIE EST MANIFESTEMENT PARMI LES PLUS ANCIENS ARTS RUPESTRES DU PAYS \u2013 MAIS EST-IL PL\u00c9ISTOC\u00c8NE ?<\/a><\/p>\n<hr align=\"left\" width=\"40%\" style=\"margin-top: 20px;margin-bottom: 20px\" \/>\n<p><strong>AUS 4<\/strong><\/p>\n<h6>Ken MULVANEY<\/h6>\n<p><a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-content\/files\/2013\/fr-FR\/Palethnologie-2013-FR-AUS4_Mulvaney.pdf\" target=\"_blank\">QUELLE ANCIENNET\u00c9 POUR LES MANIFESTATIONS D\u2019APPARENCE ANCIENNE ?<br \/>\nR\u00e9examen des p\u00e9troglyphes de Dampier<\/a><\/p>\n<hr align=\"left\" width=\"40%\" style=\"margin-top: 20px;margin-bottom: 20px\" \/>\n<p><strong>AUS 5<\/strong><\/p>\n<h6>June ROSS<\/h6>\n<p><a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-content\/files\/2013\/fr-FR\/Palethnologie-2013-FR-AUS5_Ross.pdf\" target=\"_blank\">VERS UNE CHRONOLOGIE DE L\u2019ART RUPESTRE GRAV\u00c9 DES ZONES ARIDES D\u2019AUSTRALIE CENTRALE<\/a><\/p>\n<hr align=\"left\" width=\"40%\" style=\"margin-top: 20px;margin-bottom: 20px\" \/>\n<p><strong>AUS 6<\/strong><\/p>\n<h6>Noelene COLE<\/h6>\n<p><a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-content\/files\/2013\/fr-FR\/Palethnologie-2013-FR-AUS6_Cole.pdf\" target=\"_blank\">ART ANCIEN ET AUSTRALIENS CONTEMPORAINS :<br \/>\ncontinuit\u00e9 au sein du complexe d\u2019art rupestre de Laura (P\u00e9ninsule du cap York)<\/a><\/p>\n<hr align=\"left\" width=\"40%\" style=\"margin-top: 20px;margin-bottom: 20px\" \/>\n<p><strong>AUS 7<\/strong><\/p>\n<h6>John B. CAMPBELL, William J. ELLWOOD, Nicola B. WINN<\/h6>\n<p><a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-content\/files\/2013\/fr-FR\/Palethnologie-2013-FR-AUS7_Campbell-etal.pdf\" target=\"_blank\">L\u2019ART RUPESTRE INVISIBLE DU PL\u00c9ISTOC\u00c8NE R\u00c9CENT :<br \/>\nle\u00e7ons tir\u00e9es du nord de l\u2019Australie et des \u00eeles britanniques<\/a><\/p>\n<hr align=\"left\" width=\"40%\" style=\"margin-top: 20px;margin-bottom: 20px\" \/>\n<p><strong>AUS 8<\/strong><\/p>\n<h6>Robert G. BEDNARIK<\/h6>\n<p><a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-content\/files\/2013\/fr-FR\/Palethnologie-2013-FR-AUS8_Bednarik.pdf\" target=\"_blank\">LA NATURE DE L\u2019ART RUPESTRE PL\u00c9ISTOC\u00c8NE AUSTRALIEN<\/a><\/p>\n<hr \/>\n<div style=\"text-align:right\"><a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/2013-symposium-04\/\" target=\"_self\">&lt;&lt; Symposium 4<\/a>&nbsp;&nbsp;&nbsp;&nbsp;|&nbsp;&nbsp;&nbsp;&nbsp;<a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/2013-symposium-06\/\" target=\"_self\">Symposium 6 &gt;&gt;<\/a><\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Symposium 5 L\u2019art pl\u00e9istoc\u00e8ne en Australie \u00a0\u00a0\u00a0T\u00e9l\u00e9charger AUS 1 Graeme K. WARD PEINTURES RUPESTRES PL\u00c9ISTOC\u00c8NES EN AUSTRALIE AUS 2 Jo McDONALD, Peter VETH L\u2019ART RUPESTRE PL\u00c9ISTOC\u00c8NE : un r\u00e9pertoire colonisateur pour les premiers habitants d\u2019Australie AUS 3 Mike DONALDSON LE STYLE ARTISTIQUE DE GWION OU DE BRADSHAW DE LA R\u00c9GION DU KIMBERLEY EN AUSTRALIE EST &hellip; <a href=\"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/2013-symposium-05\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">2013-Symposium-05<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":231,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40423],"tags":[],"class_list":["post-1869","post","type-post","status-publish","format-standard","hentry","category-2013-5-articles"],"_links":{"self":[{"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/posts\/1869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/users\/231"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/comments?post=1869"}],"version-history":[{"count":18,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/posts\/1869\/revisions"}],"predecessor-version":[{"id":2178,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/posts\/1869\/revisions\/2178"}],"wp:attachment":[{"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/media?parent=1869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/categories?post=1869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.univ-tlse2.fr\/palethnologie\/wp-json\/wp\/v2\/tags?post=1869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}