The Big Top

A website for UT2J students in Project Management for the Performing Arts

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MPL

“For us, nostalgia is a game”

MPL is a pop music band composed of 5 artists: Cedric, Julien, Arthur, Andreas and Manuel. But MPL is much more than 5 men falling in love with the same woman named Lucette. Lucette, a.k.a. Lulu disappears. She becomes their muse, their imagination, their mystery. So, they bring her to life through a parchment scroll, they tell her story like a tale and make their feelings about the loss of their lover and friend evaporate little by little from their lives.

Who is Lucette? Who is this bewitching woman who stole the first pure love of these 5 men?  Is she really dead or has she simply vanished out of the world? Thanks to heady and catchy melodies on guitar tunes, poetic texts overflowing with images and landscapes they also approach the deconstruction of grief and virility – this toxic virility that avoids any type of expression and feeling. They also have fun leaving some doubt about the veracity of this story and turn it into a myth that haunts them.

Their first album, Ma pauvre Lucette released in 2015, is a compilation of all their feelings collected for this woman, an untidy drawer full of the obsession and the enigma that she represents. During their tour for this album they offered more than concerts, but real theatrical epics that took us through the different stages of mourning. You were taken to a funeral ceremony led by a curious guru, who arrived on stage with a strange urn. The other 4 members arrived in turn, a sullen look on their faces. They went through a ritual, the guru put lipstick (probably Lulu’s) on their faces. They then belonged to the same group, the same “sect” in search of the truth about Lulu and her story. The urn is supposed to contain Lulu’s ashes, which you could see, which they ate and they threw at the audience. You then witnessed the collective mourning of 5 friends, where nostalgia and sorrow were transformed into joy and resilience. Between the song “Elle dit”, where they invited the audience to dance with a little choreography, and “Lulu”, which told us more about this woman, or “Déjeuner du matin”, taken from Jacques Prévert’s poem in a more than intimate atmosphere, MPL’s songs take us through all kinds of emotions and moments. “Requiem” is a nostalgic, sad and painful song where each member of the band shows their deepest and darkest emotions staged with frenetic lights… They show us in this way, in their own way how Lulu turned their lives upside down. MPL is all that, and it is her.

They are much more than a music band, they are also storytellers, writers, scenographers, storytellers of emotions… MPL is a package that reminds us that feeling is not a shame, that mourning is not an end but the beginning of something else, the beginning of a new self.

The Art of Hair Hanging

By Anna Marcadet

The art of hair hanging uses ancestral techniques of suspension by the hair. Its history seems to be unclear and it’s hard to find information. Although most circus performers believe that this art comes from Asia – from China more precisely – and appeared in the 90s, others describe it as an old discipline or a fairground attraction. I have even heard that these performances came from imaginary legends and freaks shows. 

We can argue that hair hanging is a rare discipline and that few people practice it nowadays. Indeed, the discipline flourished by being showed many times, especially by Chinese men, at the beginning of the Twentieth century. Ayala’s family has been a circus family for 3 decades. They made this type of art more visible by performing the craziest attractions in the circus Barnum & Bailey. Although Ayala’s family has continued to perform this art, it had become almost totally forgotten until about 5 years ago. A few people continue to practice it. Sometimes described as a weird and scary show, this traditional act became popular again thanks to two performances: in 2020, Lindsey Sterling released the music video Crystalize as part of the video series Home for the Holidays. Also, the show Capilotractées by the Galapiat Circus, was very much publicised, debated and covered in the media.

«It’s a practice that is transmitted, not learned at school. » The transmission is done within families, from mothers to daughters. Nowadays, it is possible to find some workshops (Ingrid Esperanza) but they are still very rare. Some people think that this art can only be transmitted and cannot be learned whereas others are afraid of the dangers of transmission because of the possible lack of useful information: for example hair hanging can be dangerous for health and hurt your neck or spine.

It is an intriguing and interesting practice even if it is very painful. In a unique way, it leaves a completely free body contrary to other aerials practices. When you are watching this type of aerial act, it really seems to be easy to practice. In fact, this act requires a lot of strength and skills especially when the entertainer shows a whirling.

Hair itself represents femininity and power. It is a “complex material that we can consider as dead or alive” (Sanga Kosonen, circus artist of the Galapiat circus). We also need to know that, technically, a single strand of hair is able to carry 100 g, that we’ve got approximately 150 000 hairs on our skull so that we can lift about 15 tons with our hair.

The steps necessary to prepare oneself for this kind of entertainment are interesting. Indeed, before anything else, artists need to take care of their hair and scalp and have a special diet. When performing they need to have their hair wet before braiding it to have more elasticity and to reduce the pain. Also, they braid their hair in a specific way which needs to be adapted to the apparatus: a ring or a hook.

Finally, the art of the hair hang is a well-guarded world in which there are lots of secrets and lies. Indeed, there are secrets surrounding the way to learn how to practice this art and also about hairstyling according to the type of braiding.

Some artists who perform this art are: Phenix Circus (Eva Szwarcer), Circus Galapiat (Sanja Kosonen, Elice Abonce Muhonen), Erin Blaire, Pamela Pantoja or Collectif Merken, Cabaret 2000, Plaisir Circus, Erin Blaire, Marion Crampe, Ingrid Esperanza, Ramiro Erburu, Lindsey Sterling, Cirque du Soleil (Danila Bim).

Check out for yourself! Watch this video about the art of hair hanging: Passion extrême : l’art de se suspendre par les cheveux – Vidéo Dailymotion

Sources and useful links:

De l’art du cirque carrément tiré par les cheveux ! (ouest-france.fr)

Interview de Stéphane Ricordel – Théatre du Châtelet (chatelet.com)

« Bien sûr que ça fait mal » | BIKINI MAG

Capilotractées – Manège de Reims (manege-reims.eu)

Ingrid Esperanza – CAPILOTRACTÉE WORKSHOPS

Science de la suspension des cheveux: Comment certains artistes pendent-ils par les cheveux? (scienceabc.com)

Comment fonctionne la pendaison des cheveux | HowStuffWorks

Passion extrême : l’art de se suspendre par les cheveux – Vidéo Dailymotion

Lindsey Sterling, Crystalize, Home for Holidays. URL: Lindsey Stirling – Crystallize (from Home For The Holidays) – YouTube

FREE PARTIES WILL NEVER DIE

A short recap of the history of free parties

How have free parties established themselves in European culture, and how cracking down on free parties has made them stronger?

by Ppk23

Free Party “Tekno drop zone”, somewhere in France, July 2022 (Photo credit: Ppk23)

Free parties have a complex and tormented story.

First and foremost, free parties are illegal parties – they can sometimes be legal if they respect certain rules – that usually happen outdoors, on the initiative of a group named a “sound system”, composed of artists, musicians, technicians, circus performers and other people, all gathered in order to set up musical events around tekno culture (techno or tekno, the spelling depends on the musical genre/style played). They are political events that entail rules and values like respect, self-care, solidarity, multiculturalism, and obviously the love of music. There are different genres and musical styles, from techno to hardcore, including acid, gabber or tribal house music. DJs come to play their set and share a great moment with the audience.

In fact, these parties were born in England in the second half of the 1980s, as a form of protest against the repressive policy of the Prime Minister Margaret Thatcher. In that period, acid house found its way into the English clubs directly from Detroit, United States, the cradle of techno. But “the Iron lady” tried to stop this new musical culture by passing a law in 1987 that forced clubs to close their doors at 2 am. That repressive law and the industrial crisis led to the beginning of rave parties, as they were called in this context, that took place in abandoned sheds all over the kingdom. Those parties were illegal and limitless. The goal was to create free moments in secret places, meet strangers without constraints and societal norms. The sound was louder and harder than in a club, ravers were dressed as they wished and parties continued until the next day.

Then, in 1990 one of the first techno sound systems in London, the “Spiral tribe 23”, appeared. They made their first event that year, and began to travel all around the country, becoming nomads. In 1994 they were judged in a trial for “conspiracy to cause public nuisance” and even if they won the case, they decided to leave England and move to France. There, they organized parties, bringing on their own culture, norms and rules in France as well as the Czech Republic with the first teknival. They wanted to create “free” parties because they thought people had to enjoy their nights and dance freely, without trying to fit into societal standards. “Free” of course doesn’t mean they’re free of charge but that they get rid of some limits and control. They have implanted values, such as respect, nomadism and a free attitude, and have marked the beginning of the free party culture. Thanks to them, parties have been called “Free parties” since 1995.

A year later came the “Heretik” sound system, the first really famous French group, which revolutionized the history of free parties. Indeed, in 2001, they organized a big free party in an abandoned swimming pool in Paris, the Molitor. 2000 ravers came illegally during the night to celebrate one of the most famous free parties ever in the heart of the city. Moreover, the event took a long time for preparation, something like several weeks. The organizers had to disguise themselves to pass for workers in order to clean the spot and install the equipment before ravers came. The free party then became “pirate”, even if it was already a protest movement.

But the French government didn’t like it, and in 2001 member of the French Parliament Thierry Mariani passed a law, “l’amendement Mariani”, which required the declaration of events in a prefecture in order to suppress free parties. Nobody took heed of it and free parties and tekno culture became a political fight. So a lot of sound systems were formed and settled in France, traveling all around the world in the summer to make music and dance together in different places.

Moreover, the free party movement is more and more recognized and defended. Some French lawyers have specialized in the survival of free parties, like Marianne Rostan who has been a lawyer in Paris since 2014. She notably denounced the terrible violence used by the police in 2021 at the Redon free party, where a lot of equipment was destroyed, and especially where a 22-year-old man lost his hand as he was simply defending himself in the fight (the case was dismissed). There are also some associations like Techno+ which focus on safety and prevention in parties by proposing chill spots on the sites and harm-reduction policies. They fight against the government to defend free parties and their values. There is also a legal support fund for sound systems, the “Fonds de Soutien aux Sound Systems” that allows organizers to survive thanks to donations.

In the span of 30 years free parties were invented, created and repressed, but they continue to evolve and survive thanks to a large community, their values and external help. Free parties will never die because no one can stop people from dancing.

SOURCES :

https://www.helloasso.com/associations/fonds-de-soutien-juridique-des-sons

RB Dance Company

By Manon Moreau

With talented dancers coming from various schools and renowned structures such as Mourad Merzouki’s Kafig Company, the Broadway Dance Center in New York or the Choreia School in Paris, this recent company will delight you and dazzle an audience both novice and initiated to dance shows. Romain Rachline Borgeaud, the producer, choreographer and artistic director of the company, mixes different styles of dance, from modern jazz to tap dancing with accuracy and passion.

After being trained by Alvin Ailey, he performed in many emblematic musicals in New York, such as A Chorus Line or Hair, while always trying to mix influences in dance. Then he returned to Paris where he became a choreographer in Disneyland, and in 2018 he founded the RB Dance Company, in which he was able to showcase his own stage writing.

Stories is the company’s first show, which combines tradition and modernity, mixing genres and giving a new impetus to tap dancing.

The show tells the story of Icarus, a young actor whose films are very successful and who secretly suffers from the oppressive influence of his director. After an argument with him, the young man finds himself trapped into the film that links him to the filmmaker.

In turn, the 10 artists on stage interpret the characters of the plot and follow the destiny of the protagonist. The different scenes of this musical contain contrasting universes that come to life in a constantly moving scenography designed by Federica Mugnai and subtly revealed by light designer Alex Hardellet.

At the crossroads between the 1940s and present days, the aesthetics of the show and the costumes created by Margaux Ponsard and Janie Loriault combine tradition and modernity in line with the company’s work.

Elegance, energy and audacity mix perfectly on stage bringing to life a captivating show that remains a spectacular experience.

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