Symposium 8

Pleistocene portable art

   Download

---

AMO 0

Aline AVERBOUH, Valérie FERUGLIO

PLEISTOCENE PORTABLE ART:
Current Research Orientations

---

I. Definitions and characterization

---

AMO 1-1

Mauro COLTORTI, Cristina LEMORINI, Marco PERESANI, Sandro POLZINETTI,
Pierluigi PIERUCCINI, Mara SILVESTRINI, Daniela ZAMPETTI

A NEW LATE PALEOLITHIC “OFFERING VENUS” FROM FRASASSI GORGE (CENTRAL ITALY)

---

AMO 1-2

Konstantin N. GAVRILOV

NEW FEMALE FIGURINES FROM THE SITE KHOTYLEVO 2

---

AMO 1-3

Jesús ALTUNA, Koro MARIEZKURRENA, Federico RÍOS, Jan WESBUER

THE BIRD CONTOUR DÉCOUPÉ AT THE SITE OF EKAIN (DEVA, BASQUE COUNTRY)

---

AMO 1-4

Martina LÁZNIČKOVÁ-GALETOVÁ

TECHNOLOGICAL DATA ON MAMMOTH IVORY ENGRAVING IN THE EPIGRAVETTIAN:
the Case of Mezin (Ukraine)

---

II. Chronology: beginnings and évolution

---

AMO 2-1

Pierre-Jean TEXIER, Guillaume PORRAZ

ENGRAVED OSTRICH EGGSHELL CONTAINERS FROM THE MIDDLE STONE AGE
AT DIEPKLOOF ROCK SHELTER (SOUTH AFRICA):
a 60 000 Year-old Graphic Tradition

---

AMO 2-2

Andrei A. SINITSYN

FIGURATIVE AND DECORATIVE ART OF KOSTENKI:
Chronological and Cultural Differentiation

---

AMO 2-3

Marin CÂRCIUMARU, Elena Cristina NIŢU, Minodora ŢUŢUIANU

GRAVETTIAN AND EPIGRAVETTIAN PORTABLE ART IN ROMANIA

---

AMO 2-4

Tomasz BOROŃ, Halina KRÓLIK, Tomasz KOWALSKI

THE FEMALE FIGURINES IN FLAKED FLINT FROM THE MAGDALENIAN SITE
OF WILCZYCE 10 (SANDOMIERZ DISTRICT, POLAND)

---

AMO 2-5

Roberto ONTAÑÓN, Pablo ARIAS

DECORATED PLAQUETTES FROM MAGDALENIAN HABITATION FLOORS
IN THE LOWER GALLERY AT LA GARMA (CANTABRIA, SPAIN)

---

AMO 2-6

Olivia RIVERO

A NEW LOOK AT PORTABLE ART FROM THE MIDDLE MAGDALENIAN
IN CANTABRIA AND THE PYRENEES:
Analyzing Operational Sequences

---

AMO 2-7

María Soledad CORCHÓN, Olivia RIVERO

THE HORSE MORPHOTYPE IN THE MIDDLE MAGDALENIAN PORTABLE ART
OF LAS CALDAS CAVE (ASTURIAS, SPAIN):
Technical and Formal Analysis

---

AMO 2-8

Paola ASTUTI, Renata GRIFONI CREMONESI

EPIGRAVETTIAN PORTABLE ART IN CENTRAL AND SOUTHERN ITALY:
the Case of the Grotta Continenza (Abruzzo) and the Grotta delle Veneri (Apulia)

---

III. Analysis and interprétation

---

AMO 3-1

Jiří SVOBODA

GRAVETTIAN ART OF PAVLOV I AND VI:
an Aggregation Site and an Episodic Site Compared

---

AMO 3-2

Delphine DUPUY

THE INCOMPLETENESS AND SEGMENTATION OF FEMALE BODIES
IN THE PALEOLITHIC IMAGINATION:
the Gravettian Sculptures of Kostenki 1-I (Russian Plain 22 000-23 000 BP)

---

AMO 3-3

Lise AURIÈRE

THOUGHTS ON TECHNOLOGICAL CHOICES
AND PALEOLITHIC PORTABLE ART MADE FROM BONE MATERIALS:
First Data from the Sites of Plantade, Lafaye, Courbet and Montastruc (Aveyron Valley)

---

AMO 3-4

Claire LUCAS

THE UPPER MAGDALENIAN GEOMETRIC MOTIFS OF ISTURITZ CAVE (PYRÉNÉES-ATLANTIQUES):
Did they Play a Specific Role?

---

AMO 3-5

Marco SERRADIMIGNI, Marta COLOMBO, Neva CHIARENZA, Renata GRIFONI,
Paola ASTUTI, Annachiara GALOTTA, Marco USALA

SPATIAL ANALYSIS OF THE PORTABLE ART OBJECTS IN THE EPIGRAVETTIAN DEPOSIT OF THE GROTTA CONTINENZA (ABRUZZO, ITALY) AND THEIR RELATIONSHIP TO THE BURIALS AND COMBUSTION FEATURES

---

AMO 3-6

Yulia VOLKOVA

ETHNOGRAPHIC RESEARCH AND ANALYSIS OF UPPER PALEOLITHIC PORTABLE ART

---

AMO 3-7

Geneviève PINÇON

PORTABLE ART AND PARIETAL ART OF THE ROC-AUX-SORCIERS
(ANGLES-SUR-L’ANGLIN, VIENNE, FRANCE):
Disparities or Common Meanings?

---

AMO 3-8

Iain DAVIDSON

WHAT A CARRY ON?
Portable Art and Changes of Symbolic Meaning

---

AMO 3-9

Carmen de las HERAS, José Antonio LASHERAS, Pedro RASINES,
Ramón MONTES, Pilar FATÁS, Alfredo PRADA, Emilio MUÑOZ

DATING AND ARCHAEOLOGICAL CONTEXT OF THE NEW ENGRAVED SCAPULA AT ALTAMIRA

---

AMO 3-10

Gillian MORRISS-KAY

A NEW HYPOTHESIS ON THE CREATION OF THE HOHLE FELS “VENUS” FIGURINE

---