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CONTENTS

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Randall WHITE, Raphaëlle BOURRILLON, François BON

INTRODUCTION

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François BON

AT THE CROSSROADS

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Christian A. TRYON

THE AURIGNACIAN VIEWED FROM AFRICA

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Élise TARTAR

ORIGIN AND DEVELOPMENT OF AURIGNACIAN OSSEOUS TECHNOLOGY
IN WESTERN EUROPE:
a Review of Current Knowledge

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Damien FLAS

THE CHRONOCULTURAL SEQUENCE OF BELGIAN COMPLEXES
IN THE EUROPEAN AURIGNACIAN CONTEXT

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Laurent CHIOTTI, Catherine CRETIN, André MORALA

THE LITHIC INDUSTRIES FROM
BLANCHARD AND CASTANET ROCK SHELTERS (DORDOGNE, FRANCE):
Data from the 2005-2012 Excavations

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John F. O’HARA, Randall WHITE, Zenobie S. GARRETT, Tom HIGHAM, Alain ROUSSOT

THE AURIGNACIAN SITE OF THE ABRI DE LA SOUQUETTE
(COMMUNE DE SERGEAC, DORDOGNE)
A History of Archaeology

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Raphaëlle BOURRILLON, Randall WHITE

EARLY AURIGNACIAN GRAPHIC ARTS IN THE VÉZÈRE VALLEY:
In Search of an Identity?

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Randall WHITE, Christian NORMAND

EARLY AND ARCHAIC AURIGNACIAN PERSONAL ORNAMENTS FROM ISTURITZ CAVE:
Technological and Regional Perspectives

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Harald FLOSS, Christian T. HOYER, Claire E. HECKEL, Élise TARTAR

THE AURIGNACIAN IN SOUTHERN BURGUNDY

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Esteban ÁLVAREZ-FERNÁNDEZ

MARINE RESOURCE EXPLOITATION DURING
THE MIDDLE AND EARLY UPPER PALEOLITHIC IN EUROPE:
Overview of the Available Evidence

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Georges SAUVET

IN SEARCH OF LOST TIME. DATING METHODS FOR PREHISTORIC ART:
the Example of Aurignacian Sites

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Stephane PETROGNANI

EARLY UPPER PALEOLITHIC PARIETAL ART:
Shared Characteristics and Different Symbolic Traditions

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Diego GARATE, Olivia RIVERO, Joseba RIOS-GARAIZAR

EVALUATING AURIGNACIAN ART IN IBERIA…
If it Really Exists

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Marc AZÉMA

ANIMATION AND GRAPHIC NARRATION IN THE AURIGNACIAN

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Carole FRITZ, Gilles TOSELLO

FROM GESTURE TO MYTH:
Artists’ techniques on the walls of Chauvet Cave

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Harald FLOSS

THE OLDEST PORTABLE ART:
the Aurignacian Ivory Figurines from the Swabian Jura (Southwest Germany)

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Sibylle WOLF, Nicholas J. CONARD

PERSONAL ORNAMENTS OF THE SWABIAN AURIGNACIAN

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