Symposium 9
Signs, symbols, myth, ideology…
DownloadSIG 00
Dario SEGLIE, Enrico COMBA
SIG 01
Ellen DISSANAYAKE
THE DEEP STRUCTURE OF PLEISTOCENE ROCK ART:
the “Artification Hypothesis”
SIG 02
Margaret BULLEN
FINDING THE FIRST INTENTIONAL MARK MAKERS:
Clues in Brain Development
SIG 03
Marin CÂRCIUMARU, Elena-Cristina NIŢU, Minodora ŢUŢUIANU-CÂRCIUMARU
EVIDENCE FOR SYMBOLIC BEHAVIOR IN THE MOUSTERIAN
SIG 04
Larissa MENDOZA STRAFFON
SEX & DRUGS & ROCK ART:
Revisiting Three Hypotheses on the Origins of Visual Art in the Pleistocene
SIG 05
Matteo Wladimiro SCARDOVELLI
SIG 06
Thomas HEYD, Tilman LENSSEN-ERZ
ROCK ART AND HUMAN DIMENSIONS OF CLIMATE CHANGE
SIG 07
Anthony SINCLAIR, Natalie UOMINI
LEARNING FROM ARTS AND CRAFTS IN THE PLEISTOCENE
SIG 08
Iain DAVIDSON
SYMBOLISM AND BECOMING A HUNTER-GATHERER
SIG 09
Marcel OTTE
SIG 10
Simona PETRU
SIG 11
Steven J. WALLER
THUNDEROUS REVERBERATION AND ROCK ART THUNDERSTORM IMAGERY
SIG 12
Iegor REZNIKOFF
THE EXISTENCE OF ACOUSTIC SIGNS AND THEIR MEANINGS IN PALEOLITHIC CAVES
SIG 13
Anne-Catherine WELTÉ, Georges LAMBERT
MYTHS AND SYMBOLS IN UPPER PALEOLITHIC ART:
the Role of Animal/Animal and Animal/Human Assemblages
SIG 14
Georges SAUVET, Robert LAYTON, Tilman LENSSEN-ERZ,
Esther LÓPEZ-MONTALVO, Paul TAÇON, André WOLDARCZYZ
FROM THE ICONOGRAPHY OF ROCK ART TO ITS ANTHROPOLOGICAL INTERPRETATION
SIG 15
Liliana JANIK
SIG 16
Margherita MUSSI
GROTTA DI POZZO (AQ, CENTRAL ITALY), A CAVE DECORATED WITH A “WOMAN’S TOUCH”
SIG 17
Dario SEGLIE
PALAEOLITHIC CAVE ART IN ITALY:
From the Iconography of Signs to the Underlying Symbols
SIG 18
François DJINDJIAN
FUNCTIONS, MEANING AND SYMBOLISM
OF EUROPEAN UPPER PALAEOLITHIC ANIMAL REPRESENTATIONS
SIG 19
Lioudmila IAKOVLEVA
ARTISTIC MANIFESTATIONS:
a Vector of Sociocultural Knowledge in Upper Paleolithic Societies
SIG 20
Livio DOBREZ
TOWARDS A MORE RIGOROUS DEFINITION OF TERMS:
Are there Scenes in European Palaeolithic Art?
SIG 21
Enrico COMBA
MIXED HUMAN-ANIMAL REPRESENTATIONS IN PALAEOLITHIC ART:
an Anthropological Perspective
SIG 22
Estelle BOUGARD
COMPARISON OF TWO CONTEXTS OF CLAY USE IN THE EUROPEAN UPPER PALEOLITHIC
SIG 23
Hipólito COLLADO GIRALDO
ANALYZING THE TOPOGRAPHIC DISTRIBUTION
OF PALAEOLITHIC ROCK ART AT CUEVA DE MALTRAVIESO
SIG 24
Lyudmila LBOVA, Darya KOZHEVNIKOVA, Pavel VOLKOV
MUSICAL INSTRUMENTS IN SIBERIA (EARLY STAGE OF THE UPPER PALEOLITHIC)
SIG 25
Lynda D. McNEIL
SIG 26
Patricio BUSTAMANTE Díaz, W. Fay YAO, Daniela BUSTAMANTE
SIG 27
Éric ROBERT
SIGNS, WALLS AND SPACES
Modalities of Expression in the western European Upper Paleolithic